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Jumat, 02 Desember 2016

THE TEMPLE & LODGE PART 11

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\\\THE TEMPLE AND THE LODGE
MICHAEL BAIGENT AND RICHARD LEIGH



THREE
The   Origins   of   Freemasonry



10
The   Earliest   Freemasons



  In its present form, Freemasonry dates specifically from the seventeenth century.  Indeed,  it  is  a  unique  product  of   seventeenth- century  thought and circumstances, a synthesis of  the multifarious ideas and perceptions brought  about  by  the  convulsions  in  Western  religion,  philosophy, science,  culture,  society  and  politics.  The  seventeenth  century  was  a period  of   cataclysmic  change,  and  it  was  as  a  response  to  this  that Freemasonry  crystallised.  Freemasonry  was  to  act  as  a  kind  of   adhesive, a  binding  agent  which  served  to  hold  together ,  in  a  way  that  the Catholic  Church  no  longer   could,  the  diver se  elements  and  components of  a fragmenting wor ld, a fragmenting world- view.

  It is to the seventeenth century that Freemasonry itself  generally looks for  its own origins — or , at any rate, looks for  the first emergence of  the structure  that  has  f iltered  down  to  us  today.  Thus,  Freemasonic  writers and historians have delved exhaustively into seventeenth- century affairs, endeavouring  to  trace  the  gradually  spreading  network  of   lodges,  to chart  the  process  whereby  certain  rites  spawned  other   rites  and  various illustrious  personalities  became  involved.  Of   necessity,  we  will  have  to address  our selves,  albeit  cursorily,  to  the  same  material.  It  is  not  the purpose  of   this  book,  however ,  to  attempt  any  such  catalogue. We  have no wish to overlap what can readily be found in the copious histories of Freemasonry,  and  what,  though  relevant  enough  to  Freemasons themselves,  is  irrelevant  to  non- brethren.  Our   purpose  must  be  to attempt  some  species  of   ‘ overview’   –  to  trace  the  ‘ main  thrust’ ,  the general  spir it  and  energy  of   Freemasonry,  as  it  suffused  and  eventually, we would argue, transformed English society.

  As  we  have  seen,  Freemasonry,  in  the  years  prior   to  the  English  Civil War   and  Cromwell’ s  Protectorate,  became  closely  associated  with ‘ Rosicrucianism’ .  We  have  already  quoted  (p.  119)  from  a  poem, composed  in 1638, by Henry Adamson of  Per th.  If   artistic quality  is  any gauge,  Adamson  may  well  have  been  a  preincarnation  of   William McGonagall,  acknowledged  master   of   illiterature.  Weirdly  enough, Adamson’ s  poem  also  pertains  to  the  collapse  of   a  bridge  over   the  Tay.

  It is wor th quoting here in fuller  detail:
Just by this time we see the br idge of  Tay
O happie sight indeed, was it that day;
A br idge so stately, with elleven great arches,
Joining the south and nor th, and commoun march is
Unto them both, a br idge of  squared stone . . .

. . . and in the year  threescore thir teene
The f ir st down- f all this Br idge did ere sustaine,
By ruin of  three arches nixt the town
Yet were rebuilt. Thereaf ter  were thrown down
Five arches in the year  f our score and two . . .
Theref ore I courage take, and hope to see

A bridge yet built, although I aged be
More stately, firme, more sumptuous, and more fair ,
Than any f ormer  age could yet compare:
Thus Gall assured me it would be so,
And my good Genius truely doth it know:
For  what we do presage is not in grosse,
For  we be brethren of  the Rosie  Crosse ;
We have the Mason word, and second sight,
Things for  to come we can foreteli aright;
And shall we show what myster ie we meane,
In f air  acrosticks CAROLUS REX, is seene . . .1

  In  1638,  then,  Adamson  and  other   self - styled  ‘ brethren  of   the  Rosie Crosse’   did  not  hesitate  to  ar rogate  to  themselves  ‘ the  Mason  word  and second  sight’ ,  and  there  is  no  record  of   any  Freemasons  ever   objecting to  this  claim.  It  is  also  worth  noting  in  passing  the  status  accorded  by the poem to Charles I.

  As  the  Thirty  Year s  War   rocked  the  Continent,  as  Catholic  victory threatened  continental  Protestantism  with  extinction,  Britain  generally, and  the  Stuart monarchy  in particular ,  loomed  increasingly  as  a bastion, a bulwark, a refuge. Driven f rom his seat at Heidelberg, Friedrich, Count Palatine of  the Rhine, and his wife Elizabeth, daughter  of  James I, found a  haven  at  The  Hague.  Here,  they  established  a  new  ‘ Rosicrucian’   courtin- exile,  to  which  German  refugees  thronged  and  from  which  they  were shunted  on  to  England  —  where  the  father ,  and  then  the  brother ,  of their   Stuart  protectress  seemingly  reigned  secure,  shielded  by  the  moat of  the Channel.

  Then  civil  war   erupted  in  England,  Parliament  aligned  itself   against the  monarchy,  a  king  was  executed  and  Cromwell’ s  dour   Protectorate was  established. Although not  as horrific  as  the Thirty Years War  on  the Continent,  the  conflict  in  England  (which  can  be  regarded  as  a  kind  of off shoot  or   tributary  of   the  Thirty  Year s  War )  was  certainly  trauma enough.  England  may  not  have  been  threatened  with  a  reimposed Catholic  hegemony;  but  she  was  subjected  to  another   form  of   religious control,  perhaps  even  more  fanatical,  certainly  more  intolerant, uncompromising  and  austere.  In  works  such  as  Paradise   Lost,  Milton could  get  away  with  veiled  Neo- Platonism  (although  even  he  ran repeatedly  foul  of   the  regime).  But  in  the  climate  of   the  Protectorate, Freemasonry,  with  its  spectrum  of   heterodox  religious,  philosophical and  scientific  interests,  kept  a  prudently  low  profile.  And  the  ‘ Invisible College’  remained invisible.

  Later   Freemasons  consistently  stress  an  absence  of   any  political interest  or   allegiance  on  the  part  of   their   predecessor s.  Freemasonry  is repeatedly  said  to  have  been  apolitical,  from  its  very  inception.  We would  argue  that  this  position  is  of   later   development,  and  that  the Freemasonry  of   the  seventeenth  century  —  and  much  of   the  eighteenth as  well  —  was  indeed  politically  engagé.  Its  roots  lay  in  families  and guilds  bound  in  ancient  allegiance  to  the  Stuarts  and  the  Stuart monarchy.  It  had  found  its  way  from  Scotland  down  to  England  under the  auspices  of   James  I,  a  Scottish  king  who  was  himself   a  Freemason. The  old  ‘ Sinclair   Charters’   explicitly  acknowledge  the  patronage  and protection  of   the  crown.  And  in  a  manuscript  from  the  mid- seventeenth century, it is demanded of  Freemasons:
.  .  .  that  you  bee  true  men  to  the  Kinge  without  any
treason  or   falsehood  and  that  you  shall  noe  no  treason  or
falsehood  but  you  shall  amend  it  or   else  give  notice
thereof  to the Kinge. 2


  By  virtue  of   this  injunction,  Freemasons  were  bound  in  fealty  to  the monarchy.

  The  absence  of   any  vociferous  pro- Stuart  statements  during  the  first three- quarters  of   the  seventeenth  century  can  hardly  be  taken  as  proof of   political  apathy,  indifference  or   neutrality  on  the  part  of Freemasonry.  Prior   to  the  Civil  War ,  there  would  have  been  no  need  for any  such  statements:  the  Stuart  claim  to  the  English  throne  appeared secure, and loyalty to the dynasty would have been too self - evident, too taken  f or   granted,  to  require  explicit  declaration.  During  the Protectorate,  on  the  other   hand,  any  formal  declaration  of   Stuart loyalties  would  have  been  exceedingly  dangerous.  Specific  individuals might,  of   course,  profess  their   adherence  to  the  monarchy,  provided they  did  not  challenge  the  authority  of   Parliament  or   of   Cromwell’s regime;  but  it  is  scarcely  to  be  credited  that  Cromwell  would  have sanctioned  a  semi- secret  network  of   lodges  to  disseminate  political views  which  he  found  inimical.  Freemasonry  was  already  under   a  cloud of   suspicion  by  virtue  of   the  relaxed,  tolerant  and  eclectic  contrast  it presented  to  the  government’s  austere  puritanism.  To  have  declared  a Stuart  allegiance  would  have  been  tantamount  to  institutional  suicide, and  individual  Freemasons  would  have  incurred  the  attention  of   the notorious  witchfinder - generals.  In  consequence,  Freemasonry,  to  the extent  that  it  can  be  traced  at  all  during  the  Protectorate,  is  studiously, even strenuously, non- commital.

  In  short,  then,  Freemasonry,  during  the  Civil  War   and  the Protectorate,  never   repudiated  its  adherence  to  the  Stuart  monarchy.  It simply remained prudently silent. Behind this silence, the old allegiances remained  firmly  intact.  And  it  is  hardly  coincidental  that  in  1660,  with the  Stuart  restoration  and  Charles  II’ s  assumption  of   the  throne, Freemasonry  —  both  in  its  own  right  and  through  the  Royal  Society  — should come into its own.

  But  if   Freemasons  remained  loyal  to  the  Stuart  monarchy,  they  were still  capable  of   protesting  —  by  force  of   arms  if   necessary  —  against Stuart  abuses.  In  1629,  Charles  I  had  dissolved  Parliament.  In  1638, annoyed by the consequences of  the king’s autocratic action, the leading nobles, ministers and burghers of  Scotland drew up what they called the ‘ National  Covenant’ .  This  Covenant  protested  against  the  monarch’s arbitrary  rule  and  reaffirmed  Parliament’s  legislative  prerogatives.  The signator ies  pledged  themselves  to  mutual  def ence  and  began  to  raise  an army.  Of   particular   prominence  among  the  so- called  ‘ Covenanter s’   was the Earl of  Rothes. In an entry in his diary, dated 13 October  1637, there is the first known ref erence to ‘ the Masone word’ . 3

  In  August  1639,  a  Covenanter - controlled  Parliament  convened  in Edinburgh. Provoked by  this  act of  defiance, Charles mobilised his  army and  prepared  to  advance  against  Scotland.  Before  he  could  do  so, however ,  the  Scottish  army,  under   the  Earl  of   Montrose,  moved  south, defeated  an  English  contingent  and,  in  August  1640,  occupied Newcastle. A truce was concluded, but the Scots remained in Newcastle until June 1641, when peace was officially signed. 4

  Against  the background of   the  events of  1641, while  the Covenanter s’ army  occupied  Newcastle,  there  occurred  what  Freemasons  themselves regard  as  a  landmark  in  their   history  —  the  first  recorded  initiation  on English  soil.  On  20  May  1641,  Sir   Robert  Moray  —  ‘ Mr .  the  Right Honerabell  Mr .  Robert  Moray,  General  Quarter   Mr .  to  the  armie  off Scotlan”  —  was  inducted,  at  or   near   Newcastle,  into  the  old  Mary’s Chapel  Lodge  of   Edinburgh. 5 For   Moray  to  have  been  inducted  into  the Lodge  implies,  of   course,  that  the  Lodge,  and  indeed  some  species  of lodge system, was already in existence and fully operational. As we have seen,  this  had  in  fact  been  the  case  for   some  time.  General  Alexander Hamilton,  who  was  present  at  Moray’ s  induction,  had  himself   been inducted the year  before. 6 Never theless, Moray is often regarded by later commentator s  as  ‘ the  first  full- fledged  Freemason’ .  But  if   he  was  not quite  that,  he  was  certainly  important  enough  to  warrant  the  attention of   scholars,  and  to  br ing  Freemasonry  out  of   the  shadows  and  into  an increasingly intense limelight.

  Although  the  precise  date  is  not  known,  Moray  was  born  at  the beginning  of   the  seventeenth  century  into  a  well- established  Perthshire family,  and  died  in  1673.  As  a  young  man,  he  saw  military  service  in France  with  a  Scottish  unit  —  believed  to  have  been  the  by  then resuscitated  Scots  Guard  —  and  rose  to  the  rank  of   lieutenant- colonel. In  1643,  a  year   and  a  half   after   his  Masonic  initiation,  he  was  knighted by  Charles  I,  then  returned  to  France  and  resumed  his  military  career , becoming  a  full  colonel  in  1645.  In  the  same  year ,  he  became  a  secret envoy  authorised  to  negotiate  a  treaty  between  France  and  Scotland whereby  Charles,  deposed  in  1642,  would  have  been  restored  to  the throne.  In  1646,  he  was  involved  in  another   plot  to  secure  the  king’ s escape  f rom  parliamentary  custody.  Around  1647,  he  married  Sophia, daughter   of   David  Lindsay,  Lord  Balcarres.  Like  the  Sinclairs,  Setons  and Montgomeries,  with  whom  they  were  associated,  the  Lindsays  had  long been  among  the  noble  Scottish  families  steeped  in  ‘ esoteric’   tradition. Lord  Balcar res  himself   was  known  as  an  Hermeticist  and  practising alchemist.  His  wife  was  the  daughter   of   Alexander   Seton  of   the  SetonMontgomery  branch  of   the  family,  which  was  to  play  a  key  role  in  later Freemasonry.  It  was  into  this  circle  that  Moray,  by  virtue  of   his marriage,  entered  —  though  it  is  worth  noting  that  his  induction  into Freemasonry pre- dated his marriage by some six years.

  On  the  execution  of   Char les  I,  Moray  resumed  his  military  and diplomatic  career   in  France.  He  was  a  close  confidant  of   the  future Charles II and held a number  of  official posts under  the exiled monarchin- waiting.  In  1654,  he  and  his  brother - in- law,  Alexander   Lindsay,  who had  succeeded  to  the  Balcarres  title,  were  with  Charles  in  Paris.  Then, between 1657 and 1660, he was in exile at Maastricht, devoting his time primarily, as he wrote, ‘ to chemical pursuits’ .

  Shortly  af ter   the  Restoration,  Moray’ s  brother ,  Sir   William  Moray  of Dreghorn,  became  Master   of   Works  —  that  is,  Master   of   ‘ operative’ masons  —  to  the  newly  reinstated  king.  Moray  himself   returned  to London  and  held  a  number   of   judicial  appointments,  even  though  he never   actually  sat  on  the  bench.  In  1661,  he  became  Lord  of   Exchequer or   Scotland,  and  in  1663  the  country’ s  Deputy- Secretary.  For   the  next seven  year s, he,  the  king  and  the Duke of   Lauderdale were  effectively  to govern  Scotland  on  their   own  —  although  Moray  maintained  close relations  with  the  Scottish  branch  of   the  Hamilton  family  as  well.  He remained, until his death, one of  the king’ s closest advisors. ‘ Charles had great  confidence  in  him,  and  his  counsels  were  uniformly  for   prudence and moderation.  ’ 7 The  king  often  visited  him  privately  at  his  laboratory in Whitehall and described him as ‘ head of  his own church’ . 8  Among his associates at this time, all of  whom spoke of  him in glowing terms, were Evelyn,  Huygens  and  Pepys.  According  to  the  DNB,  ‘ the disinterestedness  and  elevation  of   his  aims  were  universally  admitted. He  was  devoid  of   ambition;  indeed,  as  he  said,  he  “had  no  stomch  for public employments”.’ 9

  According  to  another   of   Moray’ s  contemporaries,  he  was  ‘ a  renowned chymist,  a  great  patron  of   the  Rosicrucians,  and  an  excellent mathematician’ . 10 It  was  in  this  capacity  that  he  was  to  make  his  most enduring  claim  on  posterity.  For   Moray  was  not  only  one  of   the founder s  of   the  Royal  Society.  He  was  also  its  guiding  spir it  and,  so Huygens  says,  its  ‘ soul’ . 11 In  Frances  Yates’ s  words,  ‘ Moray  did  more than,  probably,  any  other   individual  to  f oster   the  foundation  of   the Royal  Society  and  to  per suade  Char les  II  to  establish  it  by  patronage  .  . .’ 12 For  the duration of  his life, Moray was to regard the Royal Society as perhaps  his  greatest  achievement,  and  ‘ watched  assiduously  over   its interests’ . Given  the  f act  that  so  few  records  of   seventeenth- century Freemasonry  survive,  one  can  only  deduce  its  interests,  activities  and orientation  by  the  prominent  individuals  associated  with  it.  Moray provides  just  such  a  gauge.  He  would  appear   to  be  typical  and representative  of   seventeenth- century  Freemasonry.  If   he  is  indeed  so, the  Freemasonry  of   the  time  can  be  characterised  as  a  fusion  of traditions  filtered  down  through  the  Scots  Guard  and  through  noble Scottish  families  like  the  Lindsays  and  Setons;  of   ‘ chemistry’   or   alchemy and  ‘ Rosicrucianism’   filtering  across  from  the  Continent;  and  of   the spectrum of  scientific and philosophical interests which prevailed in the ‘ Invisible College’  and subsequently the Royal Society.

  It  might,  of   course,  be  argued  that  Moray  was  an  exception,  a  highly eclectic  and  idiosyncratic  individual,  not,  in  fact,  a  typical representative  of   Freemasonry  at  all.  But  the  annals  of   Freemasonry  for the  time  cite  one  other   truly  prominent  figure,  and  he  displays  precisely the  same  spectrum  of   interests,  influences  and  preoccupations  as Moray.  This  figure,  known  today  perhaps  primarily  for   the  museum which bears his name, was Elias Ashmole.

  Ashmole  was  born  in  Lichfield  in  1617.  Dur ing  the  Civil  War ,  he  was active  on  the  royalist  side,  then,  in  1644,  retired  to  his  native  town, where the deposed Charles I had appointed him commissioner  of  excise. His  official  duties  broughthim  frequently  to  Oxford.  Here,  he  came under   the  influence  of   Captain  (later   Sir )  George  Wharton,  who  instilled in  him  a  lifelong  fervour   for   alchemy  and  astrology.  By  1646,  Ashmole was  moving  in  London’ s  astrological  circles,  but  he  maintained  close contacts  with  the  ‘ Invisible  College’ ,  which  began,  in  1648,  to  meet  in Oxford.  It  included  at  that  time  Robert  Boyle,  Christopher   Wren  and  Dr John Wilkins (another  founder  member  of  the Royal Society). 13

   Ashmole  had  in  his  possession  at  least  five  original  manuscripts  by John  Dee,  and  in  1650  edited  one  of   them,  a  treatise  on  alchemy,  for publication  under   the  anagrammatic  pseudonym  of   James  Hasolle. Other   Hermetic  and  alchemical  works  followed,  which  influenced  both Boyle  and  later   Newton,  while  Ashmole  himself   became  a  well- known frequenter   of   ‘ Rosicrucian’   circles.  In  1656,  an  English  translation  of   an important  German  ‘ Rosicrucian’   text  was  published  with  a  dedication: ‘ To . . . the only Philosopher  in the present age: . . . Elias Ashmole’ . 14

  Charles  II  was  deeply  interested  in  alchemy,  and  Ashmole’s  work  on the  subject  had  impressed  him.  In  the  new  king’s  first  appointment  as restored monarch, Ashmole was installed in the post of  Windsor  Herald. His favour  with the court steadily increased, and numerous other  offices were  conferred  upon  him.  So,  too,  before  long,  were  international accolades.  Since  1655,  he  had  been  engaged  on  his  magnum  opus,  a history  of   the  Order   of   the  Garter—  and,  in  passing,  of   every  other chivalric  institution  in  the  West.  This  work,  still  regarded  as  the definitive  text  in  its  field,  was  published  in  1672,  receiving  immense acclaim  not  only  in  England  but  abroad  as  well.  In  1677,  Ashmole bestowed  on  the  University  of   Oxford  the  antiquarian  museum  he  had inherited from a  friend, together  with his own additions to it. Oxford, in exchange,  was  obliged  to  house  the  collection  —  which,  according  to  a contemporary  source,  consisted  of   twelve  wagonloads.  Extravagantly praised  and  eulogised,  hailed  as  one  of   the  sages  of   his  epoch,  Ashmole died in 1692.

  Ashmole  had  been  initiated  as  a  Freemason  in  1646,  five  years  after Moray. The event is noted in his own diary:
1646.  Oct.  16.  4H30’ p.m.  I  was  made  a  Freemason  at Warrington  in  Lancashire  with  Coll:  Henry  Mainwaring  of Karincham in Cheshire. The names of  those who were then of  the Lodge, Mr . Rich. Penket, Warden, Mr . James Collier , Mr .  Rich.  Sankey,  Henry  Littler ,  John  Ellam,  Rich.  Ellam and Hugh Brewer . 15

  Thirty- six  years  later ,  in  1682,  Ashmole’s  diary  records  another   lodge meeting,  this  time  in  London,  at  the  Masons’   Hall,  and  the  list  of   those in  attendance  includes  a  number   of   prominent  gentlemen  in  the  City. 16 Ashmole’s  diary  thus  bears  witness  to  a  number   of   things  —  to  his  own continued  allegiance  to  Freemasonry  over   thirty- six  years,  to  the  spread of   Freemasonry  across  England,  and  to  the  calibre  of   the  people associated with it by the 1680s.

  Frances Yates notes it as a point of  significance that, ‘ the two persons of   whom  we  have  the  earliest  certain  member ship  of   masonic  lodges were  both  foundation  members  of   the  Royal  Society’ . 17 Together   with Moray,  Ashmole  was  indeed  one  of   the  Royal  Society’ s  founders.  All through the Civil War  and Cromwell’s Protectorate, he was, like Moray, a fervent  royalist,  passionately  dedicated  to  the  restoration  of   the  Stuart monarchy.  And  much  more  flagrantly  than  Moray,  Ashmole  displayed  a preoccupation  with  chivalry  and  chivalric  orders.  In  his  history  of   the Garter ,  he  addressed  himself   to  the  Templars  —  and  became  the  first writer   on  record  since  the  suppression  of   the  Order   to  speak  favourably of  them. It is through Ashmole — noted antiquarian, expert on chivalric history,  prominent  Freemason,  co- founder   of   the  Royal  Society  —  that one  can  discern  what  must  have  been  a  prevailing  attitude  towards  the Templars in seventeenth- century Freemasonic and ‘ Rosicrucian’  thought. Indeed,  it  is  with  Ashmole  that  the  ‘ rehabilitation’   of   the  Templars,  at least  so  far   as  the  general  public  is  concerned,  effectively  begins.  But Ashmole was not alone.

  In  1533,  the  German  magus,  philosopher   and  alchemist  Heinrich Cornelius  Agrippa  von  Nettesheim  first  published  his  famous  opus,  Of Occult  Philosophy.  This  work  is  one  of   the  landmarks  of   ‘ esoteric’ literature,  and  it  consolidated  Agrippa’ s  reputation  as  the  supreme ‘ magician’   of   his  age  —  the  real  prototype,  more  than  any  historical Georg  or   Johann  Faustus,  for   the  figure  in  Marlowe’s  play  and  Goethe’ s dramatic  poem.  In  the  original  Latin  edition  of   his  work,  Agrippa mentions  the  Templars  in  passing.  His  comments  reflect  what,  in  the absence  of   any  contrary  evidence  or   tradition  in  Germany  at  the  time, was the prevailing view of  ‘ the destestable heresy of  the Templars’ . 18

  In 1651, the f ir st English translation of  Agr ippa’ s work was published. It  contained  a  short  dedicatory  poem  of   praise  by  the  alchemist  and ‘ natural  philosopher ’   Thomas  Vaughan  —  a  friend  and  disciple,  as  we shall  see,  of   Moray  —  and  was  sold  in  a  bookshop  in  the  churchyard  of St  Paul’ s.  Agrippa’ s  reference  to  the  Templars  had,  in  the  original  Latin, consisted  of   a  few  words  in  a  text  of   more  than  500  pages.  And  yet  the anonymous  English  translator   was  sufficiently  offended  or   embarrassed by this reference to change it. The English edition therefore refers to the ‘ detestable  heresy’   not  of   the  Templars,  but  ‘ of   Old  Church-Men’ . 19 It  is thus  clear   that  by  1651,  two  years  after   the  death  of   Charles  I,  the ‘ rehabilitation’   of   the  Templar s  was  already  under   way.  There  were certain interests in England, reflected by the translator  of  Agrippa’s work and presumably by his anticipated reader ship, who were not prepared to see the Templars vilified — not even in passing, not even by so august a figure as the archmagus of  Nettesheim.


The   Restoration   of   the   Stuarts   and   Freemasonry

  If   Moray  was  the  guiding  spirit  and  the  ‘ soul’   of   the  Royal  Society,  Dr John  Wilkins  was  its  driving  force  and  organisational  mastermind. Wilkins  was  closely  associated  with  the  ‘ Rosicrucian’   court  of   Friedrich, Count  Palatine  of   the  Rhine,  and  Elizabeth  Stuart.  Subsequently,  he served  as  chaplain  to  their   son,  who  was  sent  to  England  for   schooling. Eventually, Wilkins became Bishop of  Chester . In 1648, he published his most  important  work,  Mathematicall  Magick,  which  drew  heavily  on  the work  of   Robert  Fludd  and  John  Dee  and  extolled  both  in  its  preface.  In the  same  year ,  Wilkins  began  to  convene  the  meetings  at  Oxford,  to which  the  Royal  Society  itself   officially  traces  its  origins.  It  was  at Oxford,  as  we  have  seen,  that  Ashmole  made  the  acquaintance  of   the group.

  The  meetings  at  Oxford  continued  for   eleven  years,  until  1659,  after which  they  were  moved  to  London.  On  the  Restoration  in  1660,  Moray approached  the  reinstated  monarch  for   royal  sponsorship.  The  Royal Society was duly established in 1661, with the king as its official patron, and  also  a  Fellow.  Moray  was  the  organisation’s  first  President.  Among the  other   founding  member s  were  Ashmole,  Wilkins,  Boyle,  Wren,  the diarist  John  Evelyn  and  two  especially  important  ‘ Rosicrucian’   refugees from  Germany,  Samuel  Hartlib  and  Theodore  Haak.  In  1672,  Isaac Newton  became  a  Fellow;  in  1703,  he  was  elected  President  and remained so until his death in 1727.

  During  and  immediately  following  Newton’s  presidency,  the  overlap between  the  Royal  Society  and  Freemasonry  was  to  be  particularly marked.  The  Royal  Society  at  this  time  included  the  famous  Chevalier Ramsay,  who  will  soon  figure  prominently  in  our   story.  It  included James Hamilton, Lord Paisley and Seventh Earl of  Abercorn, joint author of   the  acclaimed  Treatise   on  Harmony  and  a  Grand  Master   of   English Freemasonry.  Most  importantly  of   all,  perhaps,  it  included  John Desaguliers,  a  close  friend  of   Newton’s,  who  became  a  Fellow  in  1714 and  then  Curator .  In  1719,  Desaguliers  became  the  third  Grand  Master of   England’ s  Grand  Lodge,  and  he  was  to  remain  one  of   the  most eminent  figures  in  English  Freemasonry  for   the  next  twenty  years.  In 1731,  he  was  to  initiate  François,  Duc  de  Lorraine,  subsequently husband  of   the  Empress  Maria  Theresa  of   Austria.  In  1737,  he  was  to initiate Frederick, Prince of  Wales, to whom he was chaplain. 20

  But  the  Royal  Society,  in  the  years  immediately  following  the Restoration,  was  only  one  conduit  for   Freemasonry  and  Freemasonic thought.  The  spectrum  of   activities  embraced  by  seventeenth- century Freemasonry  included  science,  philosophy,  mathematics  and  geometry, Hermetic,  Neo- Platonic  and  ‘ Rosicrucian’   thought.  The  same preoccupations  are  conspicuous  in  the  work  of   some  of   the  most consequential  literary  figures of   the period —  the  twin brothers Thomas and  Henry  Vaughan,  for   example,  and  the  so- called  ‘ Cambridge Platonists’ ,  Henry  More  and  Ralph  Cudworth.  No  records  survive  to confirm  that  these  individuals  were  actually  initiated  members  of specific lodges. At the same time, they could not reflect more accurately and  precisely  the  thrust  and  orientation  of   Freemasonry’s  concerns. Henry  More’ s  circle  included  the  distinguished  physician,  scientist  and alchemist Francis van Helmont. Thomas Vaughan, noted as an alchemist and  ‘ natural  philosopher ’ ,  became  a  close  personal  friend,  disciple  and protégé of  Sir  Robert Moray.

  Earlier , during the Civil War , Vaughan and his brother  had been active on  the  royalist  side.  Under   Cromwell’ s  Protectorate,  Thomas  Vaughan had  translated  —  using  the  pseudonym  of   Eugenius  Philalethes  —  a number   of   ‘ esoteric’   and  Hermetic  works  from  the  Continent,  including the  famous  ‘ Rosicrucian  Manifestos’ .  Vaughan’s  close  connections  with Moray suggest that, even if  he wasn’t a Freemason himself , he was close to  the  mainstream  of   Freemasonic  thought;  and  his  interests  were echoed  by  his  brother   Henry,  who,  so  far   as  posterity  is  concerned,  has proved the more eloquent spokesman. Henry Vaughan’ s poetry — which ranks  with  that  of   Andrew  Marvell  and  George  Herbert  —  can  be regarded  as  a  summation  of   the  cur rents  and  inf luences  which character ised seventeenth- century Freemasonry.

  But  while  More  and  the  Vaughan  brother s  created  lasting  testaments in  literature,  perhaps  the  most  impressive  monument  to  seventeenthcentury  Freemasonry  endures  today  in  London’s  architecture.  In  1666, the Great Fire levelled 80 percent of  the old city, including eighty- seven churches,  and  necessitated  a  virtually  complete  reconstruction  of   the capital. This entailed a prodigious and concentrated effort on the part of the  ‘ operative’   guilds  of   stonemasons.  ‘ Operative’   masonry  was  thus catapulted  to  public  consciousness,  with  its  handiwork  and  skills prominently  and  majestically  on  display  in  such  structures  as  St  Paul’s, St  James,  Piccadilly,  and  the  Royal  Exchange.  As  the  new  city  took shape  bef ore  the  eyes  of   the  populace,  a  hither to  unprecedented prestige  accrued  to  its  architects  and  builders;  and  much  of   this  rubbed off   on  to  adherents  of   ‘ speculative’   Freemasonry,  who  were  quick  to stress  their   kinship  with  their   ‘ operative’   brethren.  The  most  important figure  in  this  context  was,  of   course,  Sir   Christopher   Wren.  Wren,  as  we have  seen,  was  an  habitué  of   the  ‘ Invisible  College’   that  met  at  Oxford and  subsequently  became  a  founding  member   of   the  Royal  Society.  He is  alleged  to  have  become  Grand  Master   of   Freemasonry  in  England  in 1685. 21 At the same time, he was not just a thinker  but also a practising architect.  He  thus  constituted  a  crucial  —  perhaps  the   crucial  —  link  between ‘ speculative’  Freemasonry and the ‘ operative’  guilds.

  In  philosophy  and  religion,  then,  in  the  arts,  in  the  sciences,  most manifestly  in  architecture,  Freemasonry,  in  the  period  immediately following  the  Restoration,  entered  upon  halcyon  days.  But  if   it prospered  during  this  time,  it  also  exerted  a  beneficial  and  constructive influence.  Indeed,  one  could  argue  that  —  with  its  increasing dissemination and its progressively more public nature — it did much to heal the wounds of  the Civil War .

  This  is  not  to  say,  of   course,  that  it  lacked  detractors.  In  1676,  for example,  Poor  Robin’ s  Intelligence ,  a  short- lived  satirical  broadsheet, printed the following mock advertisement:
These  are  to  give  notice,  that  the  Modern  Green- ribbon’ d Caball,  together   with  the  Ancient  Brotherhood  of   the RosyCross;  the  Hermetick  Adepti  and  the  Company  of Accepted  Masons,  intend  all  to  dine  together   on  the  31st November   next,  at  the  Flying- Bull  in  Windmill- CrownStreet . . . 22

  But  such  light- hearted  lampoons  could  scarcely  do  Freemasonry  any harm.  If   anything,  they  functioned  like  modern  gossip  columns, stimulating  public  interest  and  probably  enhancing  the  very  prestige they purported  to  tarnish. This  applied  equally  to  the work of  Dr  Robert Plot,  custodian  of   the  Ashmolean  Museum  in  Oxford,  who,  in  1686, published his Natural History of  Staffordshire .  Plot  sought  to  mock,  if   not actually  condemn,  Freemasonry.  Instead,  he  furnished  Freemasonry with  precisely  the  kind  of   advertisement  that  most  conduced  to  its appeal  —  and,  at  the  same  time,  provided  posterity  not  just  with  a valuable  source  book,  but  also  with  a  testimony  to  how  influential  the institution had become:
To  these  add  the  Customs  relating  to  the  County,  whereof they  have  one,  of   admitting  Men  into  the  Society  of   Free Masons, that in the moore lands of  the County  seems  to be of greatest  request,  than  any  where  else,  though  I  find  the Custom  spread  more  or   less  all  over   the  Nation,  for   here  I found  persons  of   the  most  eminent  quality,  that  did  not disdain  to  be  of   this  Fellowship.  Nor   indeed  need  they, were  it  of   that  Antiquity  and  honor,  that  is  pretended  in  a large parchment volum  they  have  amongst  them,  containing the  History  and  Rules  of   the  craft  of   masonry.  Which  is there  deduced  not  only  from  sacred  writ,  but  profane   story, particularly  that  it  was  brought  into  England  by  St Amphibal,  and  first  communicated  to  S.  Alban,  who  set down  the  Charges  of   masonry,  and  was  made  paymaster and  Governor   of   the  Kings  works,  and  gave  them  charges and  manners  as  St  Amphibal  had  taught  him.  Which  were after   confirmed  by  King  Athe lstan,  whose  youngest  son Edwyn  loved  well  masonry,  took  upon  himself   the  charges, and  learned  the  manners,  and  obtained  for   them  of   his Father ,  a  free - Charter.  Whereupon  he  caused  them  to assemble  at  York,  and  to  br ing  all  the  old  Books  of   their craft,  and  out  of   them  ordained  such  charges  and  manners, as  they  then  thought  fit:  which  charg e s  in  the  said  Schrole or   Parchment  volum,  are  in  part  declared:  and  thus  was  the craft  of   masonry  grounded  and  conf irmed  in  England.  It  is also  there  declared  that  these  charges  and  manners  were after  perused and approved by King Hen. 6. and his council, both  as  to  Masters  and  Fellows  of   this  right  Worshipfull craft. 23

Dr   Plot  goes  on,  at  considerable  length,  to  describe  what  he  knows  of Freemasonic rituals, lodge meetings and initiation procedures, as well as the  integrity with which  ‘ operative’   stonemasons  conduct  their  building. At  the  very  end  of   his  account,  in  one  fragment  of   an  immensely convoluted sentence, he launches his attack:
.  .  .  but  some  others  [practices]  they  have  (to  which  they are  sworn  after   their   fashion),  that  none  know  but themselves,  which  I  have  reason  to  suspect  are  much worse than these, perhaps as bad as this History of  the craft it  self ;  than  which  there  is  nothing  I  ever   met  with,  more false or  incoherent.

  It  is  a  lame  fashion  in  which  to  conduct  an  attack.  Most  of   Plot’ s readers, not surprisingly, ignored (or  never  reached) his concluding sally and  warmed  instead  to  everything  that  preceded  it  –  the  ancient  and illustrious  pedigree  claimed  by  Freemasonry,  the  involvement  of ‘ persons  of   the  most  eminent  quality’ ,  the  benefits  of   membership,  the mutual  support,  the  good  works,  the  prestige  attached  to  building  and architecture.  After   all  this,  the  castigation  at  the  end  must  have  seemed a  mere  spasm  of   petulance  and  possibly  of   pique  at  not  being  accepted as a Freemason himself .

 As we  have  seen,  then,  Freemasonry,  in  the  period  between  1660  an  1688,  basked  in  a  kind  of   Golden  Age.  It  had  already  established  itself , perhaps  even  more  effectively  than  the  Anglican  Church,  as  a  great unifying  force  in  English  society.  It  had  already  begun  to  provide  a ‘ democratic’   forum where  ‘ king  and  commoner ’ ,  aristocrats  and  artisans, intellectuals  and  craftsmen,  could  come  together   and,  within  the sanctum of  the lodge, address themselves to matters of  mutual concern. But  this  situation  was  not  to  last.  Within  a  quarter   of   a  century, Freemasonry  was  to  suffer   the  same  traumatic  divisions  as  English society itself .

THE TEMPLE & LODGE PART 10

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\\\THE TEMPLE AND THE LODGE
MICHAEL BAIGENT AND RICHARD LEIGH



TWO
Scotland   and   a   Hidden   Tradition


The   Architect   as   Magus

  The  Hiram  legend  represents  a  strand  of   Judaic  tradition  in Freemasonry.  In  certain  of   its  versions,  however ,  including  Gérard  de Nerval’ s,  it  also  incorporates  Islamic  elements  and  influences;  and,  as we  have  seen,  Nerval  claimed  to  have  obtained  his  version  from  Islamic sources.  How,  then,  did  it  find  its  way  into  the  heart  of   medieval Christian  Europe?  And  why  should  it  have  been  so  impor tant  to  the builders  of   Christian  religious  edifices?  Let  us  begin  by  considering  the second of  these questions.

  Judaism  forbade  the  making  of   graven  images.  Islam  inher ited  and perpetuated  that  taboo.  Under   both  Judaism  and  Islam,  a  cultural heritage  evolved  which  was  inimical  to  representational  art  - to  any depiction  of   natural  f orms,  including,  of   cour se,  that  of   man  himself . The kind of  decoration one associates with Christian cathedrals is not to be found in the synagogue or  the mosque.

  In  part,  this  interdict  derives  from  the  fact  that  any  attempt  to  depict the  natural  world,  including  the  human  form,  was  deemed  to  be blasphemous  —  an  attempt  by  man  to  compete  with  God  as  creator , even  to  usurp  and  displace  God  as  creator .  God  alone  was  held  to. possess  the  prerogative  of   creating  forms  out  of   nothingness,  creating life  out  of   clay.  For   man  to  create  a  replica  of   such  forms,  and  a  replica of   life,  out  of   wood,  stone,  pigment  or   any  other   substance,  was  a trespass  on  the  divine  prerogative  —  and,  of   necessity,  a  parody  or travesty of  it.

  But  there  was  also  a  deeper   theological  justification  behind  this apparently  over - literal  dogma  —  a  justification  which  over lapped,  and may  even  have  been  influenced  by,  ancient  Pythagorean  thought.  God, in  both  Judaism  and  Islam,  was  One.  God  was  a  unity.  God  was everything.  The  forms  of   the  phenomenal  world,  on  the  other   hand, were  numerous,  manif old,  multifarious  and  diverse.  Such  forms  bore witness not to the divine unity, but to the fragmentation of  the temporal world. If  God was to be discerned in the creation at all, it was not in the multiplicity  of   forms,  but  in  the  unifying  principles  running  through those  forms  and  underlying  them.  In  other   words,  God  was  to  be discerned  in  the  principles  of   shape  —  determined  ultimately  by  the degrees  in  an  angle  —  and  by  number .  It  was  through  shape  and number ,  not  by  representation  of   diverse  forms,  that  God’ s  glory  was held  to  be  manifest.  And  it  was  in  edifices  based  on  shape  and  number , rather   than  on  representational  embellishment,  that  the  divine  presence was to be housed.

  The  synthesis  of   shape  and  number   is,  of   course,  geometry.  Through geometry,  and  the  regular   recurrence  of   geometric  patterns,  the synthesis  of   shape  and  number   is  actualised.  Through  the  study  of geometry,  therefore,  certain  absolute  laws  appeared  to  become  legible —  laws  which  attested  to  an  underlying  order ,  an  underlying  design,  an underlying  coherence.  This  master   plan  was  apparently  infallible, immutable,  omnipresent;  and  by  virtue  of   those  very  qualities,  it  could be  construed,  easily  enough,  as  something  of   divine  origin  —  a  visible manifestation  of   the  divine  power ,  the  divine  will,  the  divine craftsmanship.  And  thus  geometry,  in  both  Judaism  and  Islam,  came  to assume  sacred  proportions,  becoming  invested  with  a  character   of transcendent and immanent mystery.

  Towards  the  end  of   the  first  century  BC,  the  Roman  architect Vitruvius  had  enunciated  what  were  to  become  some  of   the  most  basic premises  for   later   builders.  He  had  recommended,  for   example,  that builders  be  organised  into  mutually  beneficial  societies  or   ‘ collegia’ .  He had  insisted,  ‘ Let  the  altar s  look  to  the  east’ , 7 as,  of   course,  they  do  in Christian  churches.  More  important  still,  he  had  established  the architect  as  something  more  than  a  mere  technician.  The  architect,  he said,  ‘ should  be  .  .  .  a  skilful  draughtsman,  a  mathematician,  familiar with histor ical studies, a diligent student of  philosophy, acquainted with music  .  .  .  f amiliar   with  astrology  .  .  .’   . 8 For   Vitruvius,  in  effect,  the architect  was  a  species  of   magus,  conversant  with  the  sum  of   human knowledge  and  pr ivy  to  the  creation’ s  underlying  laws.  Paramount among  these  laws  was  geometry,  on  which  the  architect  was  obliged  to draw  in  order   to  construct  temples  ‘ by  the  help  of   proportion  and symmetry . . .’  . 9

  In  this  respect,  too,  then,  Judaism  and  Islam  were  to  converge  with classical  thought.  For   was  not  architecture  the  supreme  application  and actualisation  of   geometry  —  an  application  and  actualisation  that  went further   even  than  painting  and  rendered  geometry  three- dimensional? Was it not in architecture that geometry in effect became incarnate? It  was  thus  in  structures  based  on  geometry,  with  no  embellishment to  distract  or   def lect  the  mind,  that  God’ s  presence  was  to  be accommodated  and  worshipped.  The  synagogue  and  the  mosque, therefore,  were  both  based  not  on  decoration,  but  on  geometric principles,  on  abstract  mathematical  relationships.  And  the  only ornamentation  allowed  in  them  was  of   an  abstract  geometrical  kind  – the  maze,  f or   example,  the  arabesque,  the  chessboard,  the  arch,  the pillar   or   column  and  other   such  ‘ pure’   embodiments  of   symmetry, regularity, balance and proportion.

 Dur ing  the  Ref ormation,  the  taboo  against  representational  art  was  to be  adopted  by  some  of   the  more  austere  forms  of   Protestantism.  This was  particularly  so  in  Scotland.  But  medieval  Christianity,  under   the hegemony  of   the  Catholic  Church,  had  no  such  inhibitions  or prohibitions.  Never theless,  Christendom  was  quick  to  seize  upon  the principles  of   sacred  geometry,  and  utilised  them  to  augment  its  own attempts  to  embody  and  do  homage  to  the  divine.  From  the  period  of the  Gothic  cathedrals  on,  sacred  geometry  in  architecture  and  in architectural  adornment  went  hand  in  hand  with  representational  art  as an integral component of  Christian churches.

  In  the  Gothic  cathedral,  indeed,  geometry  was  the  single  most important  factor .  As  we  have  noted  in  the  building  of   Rosslyn  Chapel, the  construction  of   any  such  edifice  was  conducted  under   the  direction of  the so- called ‘ Master  of  the Work’ . Each such master  would devise his own  unique  geometry,  with  which  everything  that  followed  had  to harmonise.  A  study  of   Char tres  has  revealed,  dur ing  the  course  of   its construction, the imprint of  nine separate masters. 10

  Most  master s  were  essentially  proficient  craftsmen  and  draughtsmen, whose  skills were wholly  technological.  Some of   them, however  —  two, it  is  believed,  out  of   the  nine  at  Chartres  —  were  obviously  versed  in something  more. 11 Their   work  reflects  a  metaphysical,  spiritual  or ,  in the  language  of   Freemasonry,  ‘ speculative’   character   which  attests  to  a high degree of  education and sophistication — attests to men who were thinker s  and  philosophers  as  well  as  builders.  As  we  have  noted,  one manuscript,  dating  from  1410,  speaks  of   a  ‘ science’   whose  secrets  were revived  after   the  Flood  by  Pythagoras  and  Hermes.  From  references  of this kind, it is clear  that certain masters, at least, had access to Hermetic and  Neo- Platonic  thought  well  before  such  thought,  dur ing  the Renaissance,  came  into  vogue  in  Western  Europe.  But  prior   to  the Renaissance,  such  thought  —  heterodox  as  it  was,  and  drawing  on  nonChr istian  sources  —  would  have  been  extremely  dangerous  to  its adherents,  who  were  therefore  compelled  to  secrecy.  In  consequence, an  ‘ esoteric’   tradition  of   ‘ initiated’   masters  would  have  ar isen  within  the guilds  of   ‘ operative’   stonemasons.  Here,  then,  were  the  seeds  of   what was later  to be called ‘ speculative’  Freemasonry.

  Within  this  ‘ esoteric’   tradition  of   ‘ initiated’   master s,  sacred  geometry was  of   paramount  importance  —  a  manifestation,  as  we  have  seen,  of the  divine.  For   such  master s,  a  cathedral  was  more  than  a  ‘ house  of God’ .  It  was  something  akin  to  a  musical  instrument,  an  instrument tuned  to  a  particular   and  exalted  spiritual  pitch,  like  a  harp.  If   the instrument  were  tuned  correctly,  God  Himself   would  resonate  through it,  and  His  immanence  would  be  f elt  by  all  who  entered.  But  how  did one  tune  it  correctly?  How  and  where  did  God  specify  His  design requirements?  Sacred  geometry  provided  the  general  principles,  the underlying  laws.  But  there  was  one  Old  Testament  context  in  which,  it was  believed,  God  had  very  precisely  and  specifically  instructed  His wor shipper s,  had  drawn  up  His  own  blueprints.  This  context  was  the building  of   Solomon’ s  Temple.  And  thus  the  building  of   the  Temple came to assume supreme importance for  the stonemasons of  the Middle Ages.  Here,  God  had  actually  taught  the  practical  application  of   sacred geometry  through  architecture.  And  His  chief   pupil,  Hiram  of   Tyre,  was theref ore adopted as the model to which every true master  builder  must aspire.


The   Hidden   Knowledge

  This  is why  the  Hiram  story  came  to  assume  the  importance  that  it  did. There remains the question of  how it and its various embellishments find their   way  into  the  heart  of   Christian  Europe.  How,  for   that  matter ,  did sacred  geometry  as  a  whole  —  compounded  of   Pythagorean,  Vitruvian, Hermetic,  Neo- Platonic,  Judaic  and  Islamic  thought  —  find  its  way  to the  West?  In  order   to  answer   these  questions,  one  must  look  at  the periods  in  history  when  such  bodies  of   teaching  might  have  been  most influentially  transmitted  and  assimilated  —  periods  when  Christianity was  most  exposed  to  ‘ alien’   influences  and,  sometimes  deliberately, sometimes by a form of  osmosis, absorbed them.

  The  first  such  per iod  was  in  the  seventh  and  eighth  centuries,  when Islam,  impelled  by  the  militant  energy  characteristic  of   a  new  faith, swept  through  the  Middle  East,  traver sed  the  coast  of   North  Af r ica, crossed  the  Straits  of   Gibraltar ,  overwhelmed  the  Iberian  peninsula  and advanced  into  France.  The  subsequent  Islamic  rule  in  Spain  reached  its apotheosis  in  the  tenth  century,  and  thus  coincides  with  Athelstan’ s reign  in  England.  Although  there  is  no  documentation  on  the  matter ,  it is  certainly  possible  that  some  of   the  principles  of   sacred  geometry  and architecture  filtered  northwards  from  Spain  and  France.  The  armies  of Islam may have been halted by Charles Martel at the Battle of  Poitier s in 732, but ideas are always more difficult to repulse than armies.

  In  1469,  Ferdinand  of   Aragón  married  his  cousin,  Isabelle  of   Castile. From this union, modern Spain was born. In an access of  apostolic zeal, Ferdinand  and  Isabelle  embarked  on  a  programme  of   ‘ purification’ , whereby  their   united  domains  were  to  be  systematically  purged  of   all ‘ alien’   —  that  is,  Judaic  and  Islamic  —  elements.  What  ensued  was  the era  of   the  Spanish  Inquisition  and  the  auto- da- f é.  As  Car los  Fuentes  has said,  Spain,  at  this  point,  banished  sensuality  with  the  Moors  and intelligence with  the  Jews  and proceeded  to  go  sterile. 12 But  during  the seven and a half  centuries between the Battle of  Poitiers and the reign of Ferdinand  and  Isabelle,  Spain  was  a  ver itable  repository  for   ‘ esoter ic’ teachings.  Indeed,  the  first  major   ‘ esotericist’   in  Western  tradition  was the  Majorcan  Raymond  Lull,  or   Lully,  whose  work  was  to  exert  an enormous  influence  on  later   European  developments.  But  even  apart from  Lull,  it  was  accepted  that  individuals  seeking  ‘ esoteric’   or   mystical initiation  had  to  make  a  statutory  pilgrimage  to  Spain.  In  Parzival, Wolf ram  von  Eschenbach  claims  his  story  to  have  der ived  ultimately from  Spanish  sources.  Nicolas  Flamel,  probably  the  most  celebrated  of the  early  Western  alchemists,  is  said  to  have  learned  the  secrets  of transmutation from a book obtained in Spain.

  For   seven  and  a  half   centur ies,  then,  Spain  was  to  remain  a  source  of ‘ esoteric’   inspiration.  From  Spain,  material  continued  to  filter   into  the rest  of   Europe,  sometimes  in  a  trickle,  sometimes  in  a  flood.  But  the Spanish  influence,  impor tant  though  it  might  be,  was  soon  to  be eclipsed by other , more dramatic contacts between Christendom and its r ival f aiths. The f ir st of  these was, of  course, the Crusades, dur ing which tens of   thousands of  Europeans  in  the Holy  Land became  steeped  in  the very  creeds  they  had  marched  to  extirpate.  During  the  Crusades,  the Sicilian  court  of   the  Hohenstauffen  Emperor   Friedrich  II  became  a veritable  clearing- house  for   Judaic  and  Islamic  currents  of   thought.  The Templar s  were  another   major   conduit  —  perhaps  the   major   conduit  — for   such  currents.  Although  nominally  ‘ knights  of   Christ’ ,  the  Templars, in  practice,  maintained  cordial  relations  with  both  Islam  and  Judaism, and  are  even  said  to  have  harboured  ambitious  plans  for   reconciling Christianity with its two rival faiths.

  The  Templar s  built  extensively.  Using  their   own  teams  of   masons, they  constructed  their   own  castles  and  preceptories.  Templar architecture  was  usually  Byzantine  in  its  characteristics,  reflecting influences from beyond Rome’ s sphere of  control. As we have seen, two graves  of   Templar   master   masons  were  found  at  Athlit  in  Israel  — probably the oldest known ‘ masonic’  graves in the world.

  The  Templar s  sponsored  their   own  guilds.  They  also  acted  as  patrons and  protectors  f or   other   guilds  of   craftsmen  and  stonemasons  —  and appear ,  on  occasion,  to  have  become  member s  of   such  guilds themselves. 13 On  occasion,  too,  skilled  artisans  would  be  taken  in  as ‘ associates’   of   the  Temple.  They  would  live  in  self - contained  villages attached  to  preceptories  and  enjoy  many  of   the  Order ’ s  pr ivileges, including  exemption  from  tolls  and  taxes.  In  Europe,  moreover ,  the Templars  were  self - appointed  guardians  of   the  roads,  ensuring  safe passage  for   pilgrims,  travellers,  merchants  –  and  builders.  Given  this broad  spectrum  of   activities,  it  is  hardly  surprising  that  principles  of sacred  geometry  and  architecture  should  find  their   way  to  Western Europe under  Templar  auspices.

  But  if   the  Templar s  were  a  conduit  for   such  pr inciples,  they  could only  have  been  so  for   a  limited  period  of   time  —  for   no  more  (and probably less) than the two centur ies of  their  existence. Nor , as we have stressed  repeatedly,  must  the  Templar s  be  inflated  into  something  they were  not.  Some  of   the  Order ’ s  functionar ies  may  indeed  have  been  as well- educated  as,  say,  their   equivalents  in  the  ecclesiastical  hierarchy; some  may  indeed  have  been  versed  in  the  arcana  of   sacred  geometry and  architecture;  but  the  majority  of   Templar s  were  mere  rude  soldiers, as  untutored  and  unsophisticated  as  most  other   nobles  of   their   age. From  their   superiors,  such  men  might  have  learned  that  the  guilds  of ‘ operative’   stonemasons  possessed  technological  secrets  meriting respect, but they would not have known what those secrets were — still less  have  been  capable  of   under standing  them.  With  the  official dissolution  of   the  Order ,  moreover ,  much  was  undoubtedly  lost.  In Scotland  particular ly,  refugee  Templar s,  cut  off   from  their   former superiors, would have been left with only empty forms to observe. They might  have  regarded  the  art  of   building  with  def erence,  but  its significance  for   them  would  have  been  more  symbolic  and  ritualistic than  practical;  they  are  hardly  likely  to  have  under stood  much  about  it. Indeed,  any  Templars  surviving  in  Scotland  would  probably  have  been like  certain  later   kinds  of   Freemasonry,  mechanically  perpetuating  a corpus  of   traditions  and  observances  without  really  appreciating  what they signified.

  If   there  was  a  connection  between  the  Templars  and  the  guilds  of ‘ operative’   stonemasons  in  Scotland,  it  would,  in  any  case,  have exhausted  itself   by  the  fifteenth  century  —  would  have  worn  thin  and become  diluted.  But  just  at  that  point,  there  was  to  be  a  transfusion  offresh  inspiration  f rom  elsewhere,  which  regenerated  the  application  of sacred geometry to architecture and impar ted a new impetus to both. In 1453,  Constantinople  and  the  last  surviving  remnants  of   the  old Byzantine  Empire  fell  to  the  Turks.  The  result  was  a  massive  influx  into Western  Europe  of   refugees,  together   with  the  treasures,  accumulated during  the  previous  thousand  years,  of   Byzantine  libraries  —  texts  on Hermeticism,  Neo- Platonism,  Gnosticism,  Cabbalism,  astrology, alchemy,  sacred  geometry,  all  the  teachings  and  traditions  which  had originated  in  Alexandria  during  the  first,  second  and  third  centuries  and been constantly augmented and updated. And then, in 1492, as we have seen,  Ferdinand  and  Isabelle  of   Spain  inaugurated  a  ruthless  extirpation of   Islam  and  Judaism  f rom  their   domains.  This,  too,  produced  an exodus  of   refugees  who  f ound  their   way  eastwards  and  northwards, bringing  with  them  the  entire  corpus  of   Iberian  ‘ esotericism’ ,  which  had been  f ilter ing  piecemeal  into  Chr istendom  since  the  seventh  and  eighth centuries.

  The  impact  of   these  developments  was  overwhelming.  It  transformed Western  civilisation.  Scholars  and  historians  concur   that  the  influx  of ideas from Byzantium and Spain was probably the single most important contributing  factor   to  the  cultural  phenomenon  now  known  as  the Renaissance.

  The  Byzantine  material  f ound  its  way  initially  to  Italy,  where  men such  as  Cosimo  de  ’ Medici  immediately  pounced  upon  it.  Academies were  established  to  study  and  propagate  it.  Translations  —  the  earliest and  most  f amous  by  Mar silio  Ficino  —  were  commissioned  and disseminated. 14 Exegeses  —  by  Pico  della  Mirandola,  for   instance  — were written and similarly diffused. From Italy, during the next hundred year s,  a  wave  of   ‘ esoter icism’   was  to  spread  across  the  rest  of   Europe. Sacred  geometry,  now  regarded  as  a  form  of   ‘ talismanic  magic’ ,  was applied  no  longer   just  to  architecture,  but  —  in  the  works  of   Leonardo and Botticelli,  for  example — to painting as well. It was soon  to suffuse other   arts,  including  poetry,  sculpture,  music  and,  particularly,  the theatre.

  Not  that  architecture  was  thereby  diminished.  On  the  contrary,  it acquired  an  even  more  exalted  status  than  before.  The  dissemination  of Neo- Platonism  —  the  syncretic  mystical  teachings  which  had  coalesced in  immediately  post- Christian  Alexandria  —  impar ted  a  renewed significance to the older  classical thought of  Plato himself . And in Plato, Renaissance  scholars,  excitedly  seeking  relevant  connections,  found  a principle  crucial  to  the  later   crystallisation  of   Freemasonry.  In  Plato’ s Timae us,  there  appear s  the  earliest  known  equation  of   the  Creator   with the  ‘ Architect  of   the  Universe’ .  The  Creator ,  in  the  Timae us,  is  called ‘ tekton’ ,  meaning  ‘ craftsman’   or   ‘ builder ’ .  ‘ Arche - tekton’   thus  denoted ‘ master  craftsman’  or  ‘ master  builder ’ . For  Plato, the ‘ arche - tekton’  crafted the cosmos by means of  geometry.15

  As we have seen, the corpus of  ‘ esoteric’  material from Constantinople found  its  way  initially  to  Italy.  Of   the  corpus  f rom  Spain  forty  years later ,  much  also  reached  Italy,  but  much  found  its  way  to  the  Low Countries,  the  Spanish  dominions  of   Flanders  and  the  Netherlands. Here,  it  generated  a  Flemish  Renaissance  which  paralleled  the  Italian. And by the beginning of  the sixteenth century, the strands originating in Italy  and  the  Low  Countries  had  converged  under   the  patronage  of   the houses of  Guise and Lorraine. Thus, for  example, the first French edition of   the  seminal  Corpus  he rme ticum,  published  in  1549,  was  dedicated  to Charles de Guise, Cardinal of  Lor raine — brother  of  Marie de Guise, who married James V of  Scotland and bore Mary Queen of  Scots.

  The  houses  of   Guise  and  Lorraine  were  already  steeped  in  ‘ esoterica’ . Indeed,  Cosimo  de‘ Medici’ s  interest  in  Byzantine  ‘ esoterica’   had  owed much  to  the  encouragement  of   his  scholar ly  colleague,  René  d’ Anjou, duke  of   Lorraine  in  the  mid- fifteenth  century  —  who  had  spent  time  in Italy  and  f ostered  the  transplantation  of   Italian  Renaissance  thought  in his  own  domains.  Sheer   geographical  proximity  dictated  that  mater ial from  Flanders  should  find  its  way  into  those  domains  as  well.  By  the early  sixteenth  century,  then,  and  despite  their   ostensible  Catholicism, the  Guise  and  Lorraine  families  had  become  assiduous  sponsors  for works  of   European  ‘ esotericism’ .  From  them  —  via  Marie  de  Guise’ s marriage  to  James  V,  via  the  Scots  Guards  and  via  such  families  as  the Stuarts,  Setons,  Hamiltons,  Montgomeries  and  Sinclair s  —  it  was  to  be carried  back  to  Scotland.  Here  —  where  the  old  Templar   legacy  had prepared  the  ground  and  guilds  of   ‘ operative’   stonemasons  under Sinclair   patronage  were  evolving  their   own  mysteries  —  it  was  to  find fertile  soil.  And  here  we  find  Marie  de  Guise  writing  of   Sir   William Sinclair  that:
. . . we bind . . . us to the said Sir  William, in likwis that we sail  be  leill  and  true  maistres  to  him,  his  counseil  and secret shewen to us we sail keip secret. 16


The   Hidden   Knowledge   in   France   and   England

  The  Guise  and  Lorraine  families  were,  as  we  have  seen,  ruthlesslyambitious. Not only did they come within a hair ’ s- breadth of  gaining the French  throne.  They  also  had  their   eyes  on  the  Papacy,  and  would almost  certainly  have  attained  it  had  not  their   intrigues,  and  their blunders,  in  French  politics  compromised  their   credibility  and  drained their  resources.  In  order   to  facilitate  their   designs  on  the  throne  of   St Peter ,  they  under took  to  present  themselves  as  a  bulwark  of   Catholic Europe — ‘ defenders of  the faith’  against the Reformation and the rising tide of  Protestantism in Germany, Switzer land and the Low Countries. In consequence,  they  adopted  and  pursued  a  public  policy  of   fervent Catholicism,  often  fanatical  in  intensity.  One  manif estation  of   this policy  was  the  notor ious  Holy  League,  an  alliance  of   Catholic  princes and  potentates  dedicated  to  eradicating  Protestantism  from  the Continent.  To  outsider s,  the  Holy  League  seemed  a  testimony  to  Guise and  Lor raine  piety.  To  the  Guise  and  Lorraine  families  themselves, however , the Holy League was simply a matter  of  political expediency — the blueprint for  a structure intended ultimately to supplant or  subsume the  Holy  Roman  Empire.  And,  of   course,  there  was  little  point  in wresting control of  the Papacy if  the Papacy were powerless. In order  to render  it worth the taking, the Papacy had to be strengthened and, so far as possible, its old medieval hegemony over  Europe restored.

  Unfortunately  for   the  Guise  and  Lorraine  families,  the  policy  and public image that furthered their  designs on the Continent were counter productive  in  Britain.  Both  England  and  Scotland  had,  by  then,  become Protestant.  For   England  in  particular ,  the  pr imary  threat  was  soon  to  be embodied  by  Catholic  Spain,  whose  ruler ,  Philip  II,  married  Mary  Tudor four   years  before  her   death  in  1558.  Anything  even  faintly  ‘ Papist’   was anathema  in  England,  and  the  Holy  League  was  perceived  as  a  menace, not  just  to  Protestantism  on  the  Continent,  but  in  the  British  Isles  as well.  By  vir tue  of   their   zealous  support  for   the  Church,  François  de Guise  and  his  family  became,  in  English  eyes,  ogres,  exceeded  in  terms of  menace only by the Spanish monarch.

  ‘ Esoteric’   thought  was  enthusiastically  taken  up  in  England.  It  was embraced by poets such as Sidney and Spenser , for  example, and figures in Arcadia  and The   Faerie  Queene ;   it  was  also  embraced  by  Marlowe  and by  Francis  Bacon.  But  to  the  extent  that  it  was  associated  with  Catholic houses  on  the  Continent,  it  could  not  be  dealt  with  publicly  or explicitly.  It  was  often  treated  obliquely,  allegor ically.  Its  existence  was largely  subter ranean,  conf ined  to  small  scholarly  cabals,  circumscribed aristocratic  circles  and  what  we  would  now  call  ‘ secret  societies’ . 17 These  organisations  were  often  militantly  anti- ‘ Papist’ ,  and  actively opposed to the blatant political and dynastic ambitions of  the Guise and Lorraine  families  on  the  Continent.  But  they  were  simultaneously steeped  in  the  corpus  of   ‘ esoteric’   material  which  had  filtered  back  to Scotland  from  the  Guise  and  Lorraine  families  and  there  found  such fertile soil.

  The  career   of   the  Scottish  philosopher   Alexander   Dickson  exemplifies the  way  in  which  such  material,  amidst  the  complicated  political  crosscurrents  of   the  period,  was  transmitted. 18 Born  in  1558,  Dickson graduated from St Andrews in 1577 and spent the next six years in Par is. On  his  return,  he  published  a  book  dedicated  to  Queen  Elizabeth’s favourite,  Robert  Dudley,  Ear l  of   Leicester .  This  book  drew  heavily  on the  early  work  of   the  prominent  Italian  ‘ esotericist’ ,  Giordano  Bruno  — whose defiance of  Rome was to lead him to the stake in 1600, and who, before  his  death,  nominated  Dickson  as  his  successor . 19 And  yet  in 1583, despite his close association with Bruno, whom Rome regarded as an arch- heretic, and despite moving in circles very close to the throne of Elizabeth, Dickson was in Paris, vociferously proclaiming his support for Mary  Queen  of   Scots  and  associating  with  personages  connected  with the Holy League. And though his friendship with Sidney appears to have been  genuine  enough,  he  was  also  a  spy,  supplying  the  French ambassador   with  secret  English  documents,  including  some  which Sidney  had  drawn  up.  By  1590,  Dickson  was  in  Flanders,  conducting clandestine missions for  Catholic potentates. By 1596, he was rumoured to  be  working  with  James  Beaton,  Scottish  ambassador   to  France,  and with  Charles  de  Guise,  Duc  de  Mayenne,  then  head  of   the  Holy  League. Also  connected  with  this  group  was  Lord  George  Seton,  whose  son Robert  was  created  Earl  of   Winton  in  1600,  and  married  Margaret Montgomerie,  an  alliance  which  was  to  lead,  along  a  cadet  line  of   the family,  to  the  earldom  of   Eglinton.  Beaton,  formerly  Archbishop  of Glasgow, had been conspiring with the Guise and Lorraine families since at  least  1560.  In  1582,  while  Dickson  was  still  in  Paris,  Beaton  and Henr i,  Duc  de  Guise,  were  plotting  to  invade  England  with  an  army supplied  by  Spain  and  the  Papacy.  On  the  night  before  her   execution  in 1587,  Mary  Queen  of   Scots  named  Beaton  and  Henri  de  Guise  among her  executors.

  Alexander   Dickson  typif ies  the  way  in  which  ‘ esoteric’   and  political allegiances  had  become  entangled,  sometimes  working  in  tandem, sometimes  diametr ically  opposed.  Dickson,  however ,  was  a  relatively minor   figure  compared  with  England’ s  real  ‘ archmagus’   of   the  age,  Dr John  Dee.  And  yet  Dee,  too,  had  to  thread  a  precarious  path  between warring  factions,  Catholic  and  Protestant  interests,  the  aspiration  to ‘ esoteric’   knowledge  and  the  more  immediately  pressing  demands  of state.  Nor   did  he  escape  as  unscathed  as  Dickson.  Although  his Protestant  allegiances  were  never ,  like  Dickson’ s,  in  doubt,  he  came repeatedly  under   suspicion,  was  once  imprisoned  and  was  consistently harassed.

  Born  in  Wales  in  1527,  physician,  philosopher ,  scientist,  astrologer , alchemist,  Cabbalist,  mathematician,  diplomatic  emissary  and  spy,  Dee was  one  of   the  most  dazzlingly  br illiant  men  of   his  age,  the  epitome  of the  so- called  ‘ Renaissance  man’ .  He  is  widely  believed  to  have  provided Shakespeare  with  the  prototype  for   Prospero  in  The   Tempest,  and  his influence, both during his lifetime and afterwards, was enormous. It was Dee  who  gathered  the  diverse  strands  of   ‘ esoterica’   and  synthesised them  in  a  fashion  that  prepared  the  way  for   later   developments.  It  was through Dee and his work that England, dur ing the seventeenth century, was to become a major  centre for  ‘ esoter ic’  studies. And it was Dee who, in effect, set the stage for  the emergence of  Freemasonry.

  As  a  young  man  still  in  his  twenties,  Dee  was  already  lectur ing  at continental  universities  —  Louvain,  for   example,  and  Paris  —  on pr inciples  of   geometry.  Dur ing  the  critical  period  of   Guise  and  Lorraine plots  and  counterplots,  he  was  moving  unchecked  about  the  Continent, establishing  currency  for   himself   in  all  quarters.  In  1585—6,  he  was  in Prague  —  which,  under   the  liberal,  pacif ist  and  supposedly  ‘ eccentric’ Holy  Roman  Emperor   Rudolf   II,  had  become  the  new  centre  for ‘ esoter ic’  studies. He enjoyed the patronage of  the emperor  and returned with  material  which  would  enable  England,  in  that  respect,  to  supplant Prague. Among his most important later  disciples were to be Inigo Jones and  Robert  Fludd  —  who,  as  a  young  man,  worked  as  tutor   in mathematics and geometry to the then Duc de Guise and his brother . Dee  was  instrumental  in  disseminating  Vitruvian  principles  of architecture  and  geometry.  In  1570,  moreover ,  fifteen  years  before  his journey  to  Prague,  he  published  a  preface  to  an  English  translation  of Euclid. In this pref ace, he extolled the ‘ supremacy of  architecture among the  mathematical  sciences’ . 20 He  spoke  of   Chr ist  as  ‘ our   Heavenly Archemaster ’ . 21

He  echoed  Vitruvius’ s  por trait  of   the  architect  as  a species of  magus:
I  thinke,  that  none  can  justly  account  themselves
Architects,  of   the  suddeyne.  But  they  onely,  who  f rom
their   childes  yeares,  ascendying  by  these  degrees  of
knowledges, beyng  fostered up with  the  atteyning of  many
languages and Ar tes, have wonne to the high Tabernacle of
Architecture . . . 22

And,  in  a  passage  of   crucial  relevance  to  later   Freemasonry,  he  invoked Plato:
And  the  name  of   Architecture ,  is  of   the  pr incipalitie,  which
this  Science  hath,  above  all  other   Ar tes.  And  P lato
af f irmeth, the Architect to be Master over  all, that make any
worke . . . 23

  During  most  of   Dee’ s  lifetime,  ‘ esoteric’   thought  in  England  had,  as  we have  seen,  remained  underground  or   had  been  taken  up  only  in  cer tain rarefiled  circles.  In  Scotland,  it  had  prospered;  but  because  of   Marie  de  Guise  and  Mary  Queen  of   Scots,  everything  Scottish  was  suspect  in English  eyes.  In  consequence,  Dee  and  other   English  adherents  of ‘ esoterica’   could  not  yet  forge  the  crucial  link  with  developments  in Scotland.

  By  the  beginning  of   the  seventeenth  century,  however ,  the  situation had  dramatically  changed.  In  1588,  Philip  II’ s  Armada  had  been decisively  def eated  and  Spain  was  seen  as  less  and  less  of   a  threat  to English  security.  The  possibility  of   the  Guise  and  Lorraine  families establishing  a  foothold  in  Britain  had  receded  with  the  execution  of Mary  Queen  of   Scots.  And  the  assassination,  a  year   later ,  of   the  young Duc  de  Guise  and  his  brother   had  effectively  cut  the  heart  out  of   the f amily,  cr ippling  its  dynastic  and  political  ambitions.  By  1600,  it was  an all but spent force, and the Holy League, too, was crumbling.

  Moreover ,  ‘ esoteric’   thought  was  no  longer   associated  so  exclusively with  the  houses  of   Guise  and  Lor raine,  or   even,  for   that  matter ,  with Catholic  interests.  One  of   its  most  important  new  patrons  was,  as  we have  seen,  the  Holy  Roman  Emperor   Rudolf   II,  who  declared  himself   to be  neither   Catholic  nor   Protestant,  but  Chr istian; 24 he  never   per secuted Protestants,  he  became  increasingly  estranged  from  the  Papacy,  and,  on his  deathbed,  he  refused  the  last  r ites  of   the  Church.  By  1600,  in  fact, ‘ esoteric’   thought  had  begun  to  flourish  energetically  and  publicly  in Protestant  principalities.  In  the  Netherlands,  in  the  Palatinate  of   the Rhine,  in  the  kingdoms of  Württemburg  and Bohemia,  it was  soon  to be used  as  an  instrument  of   propaganda  against  Rome.  Thus  purged  of   any taint  of   the  Guise  and  Lorraine  families,  it  could  saf ely  break  surface  in England.

  In  1603,  moreover ,  when  the  Guise  and  Lorraine  families  were  no longer   able  to  exploit  the  situation,  James  VI  of   Scotland  —  a  Stuar t monarch  with  Guise- Lor raine  blood  —  became  James  I  of   England.  At this  point,  from  the  perspective  of   posterity,  one  can  virtually  hear   a ‘ click’  as the requisite histor ical components at last slip into place. With the  union  of   England  and  Scotland  under   a  single  sovereign,  noble Scottish f amilies began to play a role in English affairs, and two of  them —  the  Hamiltons  and  the  Montgomeries  —  crossed  the  Irish  Sea  to establish  the  Ulster   Plantation.  Through  such  families,  something  of   the old  Templar   mystique,  and  that  of   the  Scots  Guard,  began  to  seep  into England  and  Ireland.  And  the  new  king,  it  must  be  remembered,  was  a patron  and  possibly  a  member   of   the  guilds  of   ‘ operative’   stonemasons. He  brought  with  him  from  the  north  their   traditions,  as  well  as  the ‘ esoteric’   her itage  of   his  Guise- Lor raine  forebears.  All  of   these  elements, conjoined  to  the  work  of   John  Dee  and  his  disciples,  were  to  coalesce into  philosophical  or ,  as  it  is  called,  ‘ speculative’   Freemasonry.  All  of them  had  now  become  not  only  respectable  and  legitimate,  but associated  with  the  throne  as  well.  The  old  Templar   sword  and  the trowel  of   the  master - builder   were  to  become,  in  effect,  adjuncts  of   the Stuart arms.

  There was  to be one  further   current of   inf luences bef ore Freemasonry crystallised  into  its  modern  form.  On  the  Continent,  as  we  have  noted, ‘ esoteric’   teaching  was  now  being  promoted  by  Protestant  princes, especially  in  Germany,  and  was  being  used  as  an  instrument  of propaganda  against  the  twin  bastions  of   Catholicism,  the  Papacy  and the  Holy  Roman  Empire.  It  had,  by  now,  begun  to  call  itself ‘ Rosicrucianism’ ,  and  Frances  Yates  has  labelled  this  phase  of   its dissemination ‘ the Rosicrucian Enlightenment’ . 25 Anonymous pamphlets began  to  appear ,  extolling  an  ‘ Invisible  College’   or   clandestine confraternity  allegedly  derived  from  a  mythical  founder ,  Christian Rosenkreuz.  These  pamphlets  militantly  attacked  the  new  Holy  Roman Emperor  and the Pope; they extolled the spectrum of  ‘ esoteric’  teaching; they  forecast  the  imminent  advent  of   a  new  Golden  Age,  in  which  all social  and  political  institutions  were  to  be  regenerated  and  an  epoch  of Utopian  harmony  was  to  begin,  free  of   the  tyranny,  both  secular   and spiritual, of  the past.

  In  England,  the  chief   exponent  of   ‘ Rosicrucian’   thought  was  John Dee’ s  disciple,  Robert  Fludd  —  who,  along  with  Francis  Bacon,  was among  the  conclave  of   scholars  commissioned  by  King  James  to produce  an  English  translation  of   the  Bible.  But  while  Fludd  may  have endorsed  ‘ Rosicrucian’   ideas,  they  certainly  did  not  originate  with  him, nor   is  he  believed  to  have  had  any  hand  in  the  authorship  of   the anonymous ‘ Rosicrucian Manif estos’ . Those manifestos are now thought to  have  been  composed,  in  part  if   not  in  their   entirety,  by  a  German writer   from  Württemburg,  Johann  Valentin  Andrea. 26 And  they  are thought  to  have  been  associated  pre- eminently  with  the  court  at Heidelberg of  Fr iedr ich, Count Palatine of  the Rhine.


  In  1613,  Fr iedrich  married  Elizabeth  Stuart,  daughter   of   James  I  of England. Four  years later , the nobles of  the Kingdom of  Bohemia offered Fr iedrich  the  crown  of   their   country,  and  his  acceptance  of   it precipitated  the  Thir ty  Year s  War ,  the  most  bitter   and  costly  conflict  to be  f ought  on  European  soil  prior   to  the  twentieth  century.  In  the  early years  of   the  fighting,  most  of   Germany  was  over run  by  Catholic  armies and  German  Protestantism  was  threatened  with  extinction.  Thousands of  refugees — among them the philosopher s, scientists and  ‘ esotericists’ who  embodied  the  ‘ Rosicrucian  Enlightenment’   —  fled  to  Flander s  and the  Nether lands,  and  thence  to  the  safety  of   England.  To  facilitate  the escape  of   these  fugitives,  Johann  Valentin  Andrea  and  his  colleagues  in Germany  created  the  so- called  ‘ Christian  Unions’ . 27

  The  Unions,  which constituted  a  species  of   lodge  system,  were  intended  to  preserve  intact the  corpus  of   ‘ Rosicrucian’   doctrine  by  organising  its  proponents  into cells  and  smuggling  them  to  saf e  havens  abroad.  Thus,  from  the  1620s on,  German  refugees  began  to  arrive  in  England,  bringing  with  them both ‘ Rosicrucian’  ideas and the organisational structure of  the Christian Unions. By  James  I’ s  time,  as  we  have  seen,  a  lodge  system  had  already  been established within the guilds of  ‘ operative’  stonemasonry and had begun to  prolif erate  across  Scotland.  By  the  end  of   the  Thirty  Years  War ,  a system had filtered down to England. In its general structure, it seems to have  coincided  most  felicitously  with  that  of   Andrea’ s  Christian  Unions; and  it  proved  more  than  ready  to  accommodate  the  influx  of ‘ Rosicrucian’   thought.  German  refugees  thus  found  a  spiritual  home  in English  masonry;  and  their   input  of   ‘ Rosicrucian  ideas’   was  the  final ingredient  necessary  for   the  emergence  of   modern  ‘ speculative’ Freemasonry.

  In  the  year s  that  followed,  developments  proceeded  on  two  fronts. The  lodge  system  consolidated  itself   and  prolif erated  fur ther ,  so  that Freemasonry  became  an  established  and  recognised  institution.  At  the same  time,  certain  of   the  individuals  most  active  in  it  formed themselves  into  an  English  version  of   the  ‘ Invisible  College’   of   the ‘ Rosicrucians’   —  a  conclave  of   scientists,  philosopher s  and  ‘ esotericists’ in the vanguard of  progressive ideas. 28 During  the English Civil War   and Cromwell’ s  Protectorate,  the  ‘ Invisible  College’   —  now  including  such luminaries  as  Robert  Boyle  and  John  Locke  —  remained  invisible.  In 1660,  however ,  with  the  restoration  of   the  monarchy,  the  ‘ Invisible College’  became, under  Stuart patronage, the Royal Society. For  the next twenty- eight  years,  ‘ Rosicrucianism’ ,  Freemasonry  and  the  Royal  Society were  not  just  to  overlap,  but  virtually  to  be  indistinguishable  from  one another .