Minggu, 01 Januari 2017

BLACK MAGIC WHITE SOLDIER PART 5

BLACK MAGIC WHITE SOLDIER ( HOLY GRAIL PART 2 )




  In the  Zohar are extensive discussions of the ten Sephiroths, which emanate from the  Ein-Sof, the  Ancient of Days. The Ten  Sephiroth form the image of the  Archetypal Man, known as  Adam Kadmon, the form  Ezekiel saw in his vision  of the Chariot. Also identified with  Metatron, the name given to  Enoch when  he ascended into Heaven, he is often represented as a pillar or divine phallus, symbolized in the  Bahir as the  Tree of Life and the Dragon  Teli, referring to the celestial pole and the constellation Draco. He is said to govern the visible world, preserve the harmony and guide the revolution of the spheres, and to be the leader of the legions of angelic beings. He represents the Macrocosm, which God created in His own image before creating the human man, the Microcosm. Therefore, according to the dictum of the  Kabbalah, “as above, so below,” a sympathy exists between the Macrocosm and the Microcosm, explaining how the various parts of the universe, such as the planets, may have  an affinity with human existence.         It is also the            central doctrine of  magic, the means the  Kabbalist must use to correct the disorder of the universe.

  Repairing the separation created by Adam’s sin, according to the   Zohar, is  the historical plight of the Jewish people as whole.       In the fulfillment of God’s plan, the  Jews will be returned to Zion, the Promised Land, and united with the  Messiah. The dispersion of the Jewish people was assimilated to the  Gnostic doctrine of the soul as a divine spark in exile in the base and corrupt material world. The nation of the  Jews was equated with the  Shekhinah, as the bride of God, exiled in this world, and separated from her beloved to whom she longs to return. When all of the preexisting souls in the world of the   Sephiroth shall have descended and completed the cycle of reincarnations, and have returned  purified to the bosom            of the infinite Source, then the  Messiah will descend from the region of souls, and the great Jubilee will take place. The  Messiah is to be a descendant of King David, and therefore known as the “Son of David,” linking this   Zionist prophecy to the descendants of   Makhir of  Narbonne.

  Although the claims cannot be corroborated, what is important is that the evident link between the claimants of Davidic descent in  Narbonne and the expected  Messiah of the  Kabbalah, whether correct or not, was perceived to be so. As late as 1143, Peter the Venerable of Cluny, in an address to Louis VII of  France, condemned the  Jews of  Narbonne who claimed to have a king residing among them. In 1144, Theobald, a Cambridge monk, spoke of “the chief Princes  and  Narbonne where the royal seed            resides.” In   1165  – 66 Benjamin of Tudela, the famous Jewish traveler and chronicler, reports that in  Narbonne there are  “sages, magnates and princes [Nesim] at the head of whom is… a remnant of  the House of David as stated in his family tree.” 76 The “Royal Letters” of 1364  also record the existence of a rex Iudaeorum(King of the  Jews) at  Narbonne.77 The place of residence of the  Makhir family at  Narbonne was designated in  official            documents   as Cortada Regis Judæorum. 78 The belief of Davidic descent  is corroborated by the use of the Lion of Judah as a heraldic device on a seal  of one Nasi(prince), Kalonymos ben Todros, in the later thirteenth century. 79

  The fact that the  Grail sagas are concerned with a secret and purportedly  sacred lineage is indicated in the anonymous   Perlesvaus, dated to the first decade of the thirteenth century, where we read: “Here is the story of thy descent; here  begins the Book of the Sangreal.” And, though there is no solid corroboration of  his purported Jewish ancestry, at least six major epic poems about  William of  Gellone were composed before the era of the crusades, including Willehalmby  Wolfram von   Eschenbach. Therefore, there may be some truth to the claim of  the authors of the sensationalistic Holy Blood  Holy  Grail, that the  Holy  Grail should not have been translated from san greal, but from sang real, meaning “royal blood.”


  The   first  troubadour was Eleanor of Aquitaine’s grandfather,  William IX Duke of Aquitaine. Eleanor herself became instrumental in turning her court, then frequented by the most famous troubadours of the time, into a center of poetry and a model of courtly life and manners. It was Eleanor’s daughter, Marie           of Champagne,  a decisive influence in the transmission of the culture           of  Courtly Love across Europe, who encouraged the composition of Chretien de Troyes. The language of  Courtly Love was assimilated to the legends of the Holy  Grail beginning with Chretien de Troyes, who fashioned a new type of narrative based on the  Matter of Britain. Centering on the legendary  King Arthur,  the  Matter of Britainderived from the Welsh monk Geoffrey of  Monmouth’s  Historia regum Britanniae, written between 1118 and 1135. By drawing on  classical authors, the  Bible, and Celtic tradition,  Monmouth created the story  of a British kingdom, to some extent paralleling that of  Israel.  Monmouth relates the purported  history of  Britain, from  its         first    settlement by  Brutus, a descendant of Aeneas a hero of the Trojan war, to the death of Cadwallader in the  seventh century, covering Julius  Caesar’s invasions of Britain, two kings, Leir and  Cymbeline, later immortalized by William Shakespeare, and one of the earliest developed narratives of  King Arthur.

  Parzival, written between 1200 and 1210 by   Wolfram von  Eschenbach,  a knight of Bavarian origin, was the most celebrated romance of the time. Wolfram believed Chretien’s version of the  Grail story was wrong and less accurate than his own.  Wolfram claimed to have obtained his information zfrom a certain Kyot de Provence, who would have been Guiot de Provins, a troubadour.  Wolfram maintains that Kyot, in turn, supposedly received the Grail story from a  Kabbalistic Jew named Flegetanis. According to  Wolfram, the  Grail sustained the lives of a brotherhood of knights called Templeisen, who were guardians of the Temple of the  Grail, located on the Mount of Salvation  (Munsalvaeshe), associated with the mountain stronghold of Montsegur of the  Cathars in the  Languedoc.

  According to  Wolfram, after learning Arabic to read Flegetanis’ document, Kyot traveled throughout Europe to learn more about the  Grail and the brotherhood that            protected it. He finally came to Anjou, where he found the history of Percival’s family and wrote the tale which would later be retold by  Wolfram. In Parzival, Perceval is the father of  Lohengrin, the Knight Swan.  One day, in his castle Munsalvaesche, he hears a bell toll as a signal to come to the aid of a damsel in distress. According to some sources, she was the duchess of Bouillon, where  Lohengrin hastened to her rescue in a boat drawn by swans.  Having defeated her persecutor, he married the lady, however requiring of her that she not question about his ancestry. At last, wrought with curiosity, she broke the vow, at which point  Lohengrin was forced to leave. Though, he left  her with a child, according to various chanson de geste,that was either the father or grandfather of Godfroi de Bouillon, who could also trace his descent to  William of Gellone.80

 These various families that were connected to the  Grail legends were also all closely associated with the preservation of the occult traditions of the Kabbalah in its various forms, and adopted for themselves heraldic symbols that were emblems of Jewish heritage. The kings of England, like the Nesimof  Narbonne, adopted the Lion of Judah, the Kings of   France the lily and the Plantagenets the red rose. The second chapter of the  Song of Solomonbegins with,  “I am the rose of Sharon, and the lily of the valleys.” The  Zoharbegins with an  exposition of this passage, equating the rose with the “Jewish congregation.”  Often called the “Mystical Rose of Heaven,” the rose represents the Virgin  Mary, who esoterically is understood to symbolize the goddess or  Venus, in  other words, the  Shekhinah. The rose was composed      of five petals, recalling the          five-pointed star     or pentagram of  Lucifer .

  According to historian Margaret Murray the  Plantagenets were all  witches.81 As popular legends surrounding the Angevins suggested they were demonic in  origin, some historians were led to give them the epithet “The Devil’s Brood.”  The chronicler Gerald of Wales (c. 1146-c. 1223) is the key contemporary   source for these stories, which often borrowed elements of the Melusine legend. Melusine, or   Melusina, is a feminine spirit of European folklore, ussualy depicted  as a  woman  who  is  a          serpent  or fish from        the  waist down,  much  like a mermaid. She is popularly known from her depiction of the logo of Starbucks. By her magical powers she was to have built in a single night the Château de  Lusignan, the largest castle in  France, from which originated the powerful House of  Lusignan. Melusine was married to Guy de  Lusignan, king of the crusader state of  Jerusalem from 1186 to 1192, under condition that he should never attempt to intrude upon her privacy. But when Guy betrayed his promised, she transformed herself into a  dragon, departing with a loud yell and  was never seen again.

  Gerald of Wales related a similar story in his De instructione principis of  “a  certain  countess   of  Anjou” who  rarely  attended mass and one  day  flew away, never to be seen again. According to Gerald, “King Richard was often accustomed to refer to this event “saying that it was no matter of wonder, if coming from such a race, sons should not cease to harass their parents, and brothers to quarrel amongst each other; for he knew that they all had come of the devil, and to the devil they would go.” A similar story was related to Eleanor of Aquitaine in the thirteenth century romance, Richard Coeur-de-lion. Gerald also presents a list of legends about the sins committed by Geoffrey V and Henry II as further evidence of their corrupt origins, which, he says, were not always discouraged by the Angevins. Henry II’s sons reportedly defended their         frequent  infighting  by saying  “Do  not  deprive us  of our heritage;       we  cannot help acting like devils.” 82

  The  Melusina legend and the claims of witchcraft among the   Plantagenets and families of Anjou was symptomatic of the spread of occult ideas which was also reflected in    their association with the heretical  Cathar movement. Historians  use the term “Medieval Inquisition” to describe the various inquisitions that  started around 1182, which responded to large popular movements throughout  Europe considered heretical, in particular the  Cathars in southern  France and  the related movement of the Waldensians in both southern  France and northern  Italy. The Church charged the  Cathars with devil worship, human sacrifice, cannibalism, incest, homosexuality and celebrating the   Black Mass. In 1209,  an army descended on the  Languedoc, a campaign called the  Albigensian  Crusade. The edict of annihilation referred not only to the heretical  Cathars  themselves but to all who supported them, which included most of the people  of  Languedoc.            When an officer inquired of the Pope’s representative how         he might distinguish heretics from true believers, the infamous reply was, “Kill them all. Let God sort them out.” Final defeat came upon the  Cathars at their famous stronghold of Montsegur in the foothills of the Pyrenees in 1244, when  more than 200  Cathar priests were massacred.

  The  Cathars had established communities in Northern   Italy, the Alpine regions and Southern  France. In southern  France, Catharism and Waldensianism  virtually   became  the  region’s  official  religions, under the political control of Count Raymond VI of Toulouse, himself a follower of  the  Cathar faith. Raymond VI was married to Joan  Plantagenet, daughter of  Eleanor of Aquitaine and Henry II King of England. Raymond VI was the great-grandson of Raymond IV, who led the First Crusade. Raymond IV’s wife had been Elvira of Castile and Leon, the daughter of Zaida of Denia, an  Ismaili of the Fatimids, who had married Alfonso VI “the Brave” of Leon. Elvira had  first married Roger II of    Sicily   (c.1095-1154). Under the  marriage agreement, if Baldwin I and Adelaide had no children, the heir to the kingdom of  Jerusalem  would          be Roger II,            Adelaide’s son by   her first husband Roger I Guiscard (Roger I of Sicily). Roger II of Sicily, who was also a  Templar, was to become the “ Jolly  Roger” of history,           having flown the skull and crossbones       on his ships.83

  The origin of the  Jolly Roger begins with the legend of the  Skull of Sidon as recounted by Walter Mapp, in the twelfth century AD. According to Mapp, a  Templar “Lord of Sidon” was in love with a “great lady of Maraclea [Marash in Cilician  Armenia].” When the knight’s wife died suddenly, on the night of her burial he crept to her grave, dug up her body and violated it. Then a voice from beyond ordered  him to   return nine   months later, when he would find a son. He returned at the appointed time, opened the grave again, and found
a skull and crossbones. The same voice then apparently commanded him to “guard it well, for it would be the giver of all good things,” and so he carried it away with him. It became his protecting genius, and he was able to defeat his enemies by merely showing them the  magic head. In due course, it passed to the possession of the  Templars.

  The legend is related to Baldwin II, called a cousin of the brothers Eustace III of Boulogne and  Godfrey of Bouillon, and who later became king of Jerusalem in 1143 and married Morphia of the  Rubenid dynasty of  Armenian Cilicia. The  Rubenids were descended from the Bagratuni, a Jewish dynasty who ruled  Armenia in the ninth century AD, and claimed Jewish descent. Baldwin and Morphia’s daughter was  Melusinde, which links her to the  Melusina  legend.  Melusinde married Fulk V, Count of Anjou and the father of Geoffrey Plantagenet, leading him to become King of   Jerusalem in 1131 on the death of Melisende’s father  Baldwin II. Fulk V had joined the crusade in 1120, and became a close friend of the  Templars. After his return he began to subsidize the order, and maintained two knights in the Holy Land for a year. The son of Fulk V and  Melusinde was Amalric I King of  Jerusalem who married Agnes de Courtenay. Their daughter Sybilla, Queen of  Jerusalem, married Guy de  Lusignan  (c.        1150  – 1194). Guy  de  Lusignan’s term as king is generally seen as disastrous.  He was defeated by Saladin at the Battle of Hattin in 1187, and was imprisoned in Damascus as Saladin reconquered almost the entire Crusader kingdom. Richard the Lionheart then sold Guy the island of Cyprus, which he had conquered on  his way            to Acre. Guy    there by became the first Latin lord of Cyprus. Amalric succeeded Guy in Cyprus, and also became King of  Jerusalem in 1197. Sybille,  the daughter of Isabella and Almaric, then married Leo II, the son of Stephen  I of   Armenia. Their union began a series of reciprocal marriages as a result of which the succession of Lesser  Armenia actually passes to the  Lusignan, which lasted until 1375 AD, when the Mamelukes of Egypt destroyed it.

  The Lusignans were rulers of  Jerusalem, or more accurately, Acre, from 1268 until the fall of the city in 1291. Also after 1291, the Lusignans continued to claim the lost  Jerusalem and occasionally attempted to organize crusades to recapture territory on the mainland. The stronghold of Acre from the time of its  capture by  Richard to its final conquest       by  the  Muslims formed for     two hundred years the base of the crusading empire in  Palestine. There were headquartered both the orders of the  Templars and of the  Hospitallers. In 1291,  the Muslims attacked Acre, when among the  Templars, including their Grand  Master, only ten    escaped of five hundred  knights. Henr II of      Lusignan, the patriarch, and the Grand Master of the  Hospitallers, with the few survivors,  escaped back to Cyprus.

  However, on their return to Cyprus, the  Templars conspired to place Henry II’s brother Almaric, Prince of Tyre, on the throne. Henry II was sent in confinement in  Armenia. But it was at this time, in 1306, under pressure from Phillip IV king of  France, that the Pope summoned Jacques   de Molay, the Grand Master, from Cyprus to answer the charges of heresy. In 1308, Almaric received letters from the Pope directing him to arrest all the  Templars in Cyprus. Their property was handed over to the  Hospitallers, and after the assassination of Almaric, they supported Henri II’s return to the throne of Cyprus. Therefore, the arrest of the  Templars seems merely to have been a pretext to transfer their property to the  Hospitallers. The nobility of Europe had been  calling  for  a unification of            the orders  of  the Templars and the Hospitallers, but Jacques  de Molay was resisting the move. Following the fall of Acre, Phillip IV of  France was calling for a renewed Crusade, but  de Molay again refused participation.

  The  Templars were arrested in 1307 by order of the King of  France. Among the accusations against them were those of practicing witchcraft, denying the tenets of the Christian faith, spitting or urinating on the cross during secret rites of initiation, worshipping the devil in the shape of a black cat, and committing  acts of sodomy and bestiality. In an accusation that connects them to the legend  of the  Skull of Sidon, the  Templars were also charged with worshipping a skull or head called  Baphometand anointing it with blood or the fat of unbaptized babies. In fact, the story of the  Skull of Sidon was called upon during the  Templar trials. The inquisitors, picking up on the  Armenian background of the woman in the story, connected the legend with the  Armenian Church and its Paulician sects, as the  Paulicians and the  Bogomils were recognized as the source of the Gnosticism of the  Cathars. Many   Templars were executed or imprisoned and in 1314 the order’s last Grand Master, Jacques  de Molay, was burned at the stake.

  As legend has it, when the  Templars came under trial in 1301, their leader  de Molay arranged for many of them to return to Scotland. As Marsha Schuchard has pointed out, there were persistent claims that not only  Templars, but  Jews  as well         were  expelled to   Scotland. The first     significant Jewish communities had come to England with  William the Conqueror in 1066. Economically,  Jews came to play an important role in the country. Because, the Church strictly forbade  the lending  of   money at profit, while Judaism permits loans with interest between  Jews and non- Jews. As a consequence, some  Jews became very wealthy and acquired a reputation as extortionate moneylenders, which made them extremely unpopular with both the church and the general public.  An image of the Jew as an enemy of Christ started to become widespread and anti-Semitic myths such as the Wandering Jewand ritual murder originated and spread throughout England, as well as Scotland and Wales. In frequent cases of blood libel,  Jews were said to hunt for children to murder before Passover so they could use their blood to make matzo. An anti-Jewish attitude on a number of occasions sparked riots where many  Jews were murdered, most famously in 1190 when over a hundred  Jews were massacred in the city of York.

  Finally, the  Jews were formally expelled from England by King Edward  in 1290 AD when all the crowned heads of Europe followed his example.  France expelled its Jewish population in 1306 AD, a year before the arrest of  the  Templars. According to John Howell’s History of the Latter Times of the  Jews, published in 1653:

  The   first Christian Prince that expelled the Jews out of his territories,  was that heroic King, our Edward the First, who was such a scourge also the Scots; and it is thought diverse families of the banished  Jews fled to Scotland, where they have propagated since in great numbers; witness the aversion that nation hath above all others to hogs-flesh.84

  Scotland has the highest proportion of redheads of any country in the world, where they represent thirteen percent of the population, and red hair and the color red, as demonstrated by Andrew Colin Gow, author of the Red  Jews: Anti-Semitism in an Apocalyptic Age: 1200-1600, had become distinctly associated with the  Jews. As he further noted,  Jews were often portrayed by medieval illustrations in Christian texts with red hair and in red clothes.

  The  Templars in Scotland were also to have assisted Robert the Bruce at the  Battle of Bannockburn. Robert the Bruce claimed the Scottish throne as a direct descendant of David I. Walter Stewart, the sixth High Steward of Scotland, who played an important part in the  Battle of Bannockburn, married Marjory, daughter of Robert the Bruce. Thus was founded the House of  Stuart, when their son Robert II of Scotland eventually inherited the Scottish throne after his uncle David II of Scotland died. Robert the Bruce also mentioned the origin of the Scots from among the   Scythians, in the famous “Scottish Declaration of Independence” of 1320, signed by him and addressed to Pope  John XXII:

  We know, Most Holy Father and Lord, and from the chronicles and books of the ancients gather, that among other illustrious nations, ours, to wit the nation of the Scots, has been distinguished by many honours; which, passing from the greater Scythia through the Mediterranean Sea and Pillars of  Hercules, and sojourned in  Spain among the most savage tribes through a long course of time, could nowhere be subjugated by any people, however barbarous; and coming thence one thousand two hundred years after the outgoing of the people of   Israel, they, by many  victories and     infinite toil, acquired for  themselves   the possessions in  the West which they now hold… In their Kingdom one hundred and thirteen  kings of their own royal stock, no stranger intervening, have reigned.

  The  Templar force at the  Battle of Bannockburn was supposedly led by Sir William Sinclair. Before his death, when Robert the Bruce had requested that his heart be taken to  Jerusalem, and buried in the  Templar Church of the Holy Sepulcher, the heart was taken by Sir  William Sinclair and Sir James Douglas. The two never made it to the Holy Land, having been killed in  Spain in battle with the Muslims. The Douglases were one of Scotland’s most powerful families and also related to the Stewarts. According to the genetic studies of Hirschman and Yates, genetic studies of the Douglas family exactly matched three Jewish males with  Ashkenazi surnames.85

   William Sinclair’s grandson, also named  William  Sinclair, in the fifteenth century became the third Earl of   Orkney, first Earl of Caithness, and     High Chancellor of Scotland and also designed the most sacred site in   Freemasonry:

  Rosslyn Chapel. A church in the village of Roslin,  Rosslyn Chapel is replete with occult symbolism. There are hundreds of stone carvings in the walls and in the ceiling of the  Rosslyn Chapel, which represent biblical scenes,  Masonic symbols, and examples of  Templar iconography. There are swords, compasses, trowels, squares and mauls with images of the Solomon’s Temple. In addition to the Jewish and occult symbolism, there are also some traces of  Islam and pagan           serpents,            dragons,       and     woodland     trees. The     fertility figure of the Green         Man, a European version of the  dying-god  Dionysus, al  Khidr to the  Sufis, is to be found everywhere on the pillars and arches, together with fruits, herbs,  leaves, spices, flowers, vines and the   plants of the garden paradise.

  As recently popularized in  Dan Brown’s bestselling The Da Vinci Code, da Vinci’s famous painting of the Last Supperwas the key clue to unraveling the sacred mystery of red hair and its connection to  Rosslyn Chapel, the  Holy Grail and the  Sinclairs. In the painting, to  Jesus’ right is not John the Apostle but a woman with red hair, often purported to be  Mary Magdalene. This speculation was already the topic of The  Templar Revelationby Lynn Picknett and Clive Prince published in 1997.  Dan Brown suggests, following up on the work of the Holy Blood  Holy  Grail, that   Mary Magdalene produced a secret line of  descent through her marriage to  Jesus, which could be traced through their red  hair. Therefore, according          to Brown, the significance of the colorred is alluded to everywhere in occult symbolism. The  Templar red cross is the “rose cross”  of the  Rosicrucians. Brown follows the trail of this lineage to the   Sinclairs  and  Rosslyn Chapel, rumored to be the burial site of the  Holy  Grail, being  the remains of  Mary Magdalene.   Rosslyn, according to Brown, takes its name  from the Rose-Line, the north-south meridian that runs through Glastonbury,  which is the traditional marker of  King Arthur’s Avalon. “Or,” says Brown, “as Grail academics preferred to believe, from the ‘Line of Rose’—the ancestral lineage of  Mary Magdalene.”





RENAISSAINCE & REF0RMATION ( PART 1 )


  The second of the important European Renaissances, which took place in Florence, and spanned roughly from the fourteenth to the seventeenth century,  Was  again a result of the discovery of occult sciences learned from the Sabians.  This         challenge to Church orthodoxy,            represented as the flourishing of art and philosophy, was enabled through the sponsorship of the Medici banking family.  The expansion of the great European banking powers achieved formidable  wealth through the extraordinary money-generating powers of the fractional  reserve system. Usury, or the charging of interest on loans, has otherwise been  forbidden by all the world’s major religions, including Judaism, Christianity,  Islam, Hinduismand Buddhism. Even among the pagan Greeks, Aristotle  mentioned, for example: “the most hated sort (of wealth getting) and with the  greatest reason, is usury, which makes a gain out of money itself and not from  the natural object of it. For money was intended to be used in exchange but not  to increase at interest.” 1

  European banking in the modern sense can be traced to the Templars.  With extensive land holdings across Europe, their practice was to take in local currency for which a demand note would be given that would be good at any of their castles across Europe, allowing movement of money without the usual risk of robbery while traveling. In the middle of the thirteenth century, Italian bankers invented legal fictions to get around the ban on Christian usury. The most famous example was the Medici bank, established in 1397. The medieval ItaZlian markets were disrupted by wars and were limited by the fractured nature  of the Italian states, so the next developments happened as banking practices  spread           throughout  Europe during the  renaissance  period. Banking offices were usually located near centers of trade, and in the late seventh century, the largest centers for commerce were the ports of Amsterdam, London, and Hamburg.

  Though it was initially forbidden in Judaism, some flexibility was added  to the law forbidding it, such that it was permitted to be charged to non-Jews. This led to the practice being dominated by Jews throughout much of Western history, for which they have repeatedly been maligned, most famously in Shakespeare’s  The Merchant of Venice, who demands his “pound of  flesh.” Many            Jewish moneylenders achieved influence as  Hofjuden, or Court Jews, who lent money and handled  the finances        of some of the Christian European noble        houses, primarily in the seventeenth and eighteenth centuries. Court  Jews were skilled administrators and businessmen who received privileges in return for their services. They were most commonly found in Germany, Holland, and Austria, but also in Denmark, England, Hungary,  Italy, Poland, Lithuania,   Portugal, and  Spain. In return for their services, court  Jews gained social privileges, including nobility, and could live outside the Jewish ghettos. And because they were under noble protection, they were exempted from rabbinical jurisdiction, and therefore any limitations  on their pursuit of interest-based banking.

 A similar process of dilution of the prohibition against interest-banking  took place within  Christianity . By the fourth century AD,  usury was officially prohibited for Catholic clergy and by            the fifth century the law was extended to all laymen. Usury was not declared a criminal offense until the eighth century,  instituted by Holy Roman Emperor  Charlemagne. Finally, Pope Clement V  in the thirteenth century made the ban on  usury absolute. The scholastic  philosophers            who    were  heavily           infl      uenced          by       Aristotle upheld the historical  prohibition of   usury.

  In the middle of the thirteenth century, groups of Italian Christians  invented legal            fictions to get around the ban on Christian  usury, such as offering money without interest but also requiring that the debt to be insured against possible loss, injury or delays in repayment. Thus, banking in the modern sense can be traced to medieval and early  Renaissance  Italy, to the rich cities in the north such as Florence, Venice and Genoa. The Bardi and Peruzzi families dominated banking in fourteenth century Florence, establishing branches in many other parts of Europe. Perhaps the most famous Italian bank was the Medici bank, established by Giovanni Medici in 1397.

  The Italian  Renaissance is typicallyz presented as a flourishing of creative activity and characterized by a tradition of  Humanism. More accurately, the tendencies of the  Renaissance had an occult basis, and  humanism’s focus on the human being has its origins in the  anthropomorphic teachings of the apotheosis of man into God. The interest in pagan themes that characterized the  Renaissance derived from the influence of Neoplatonism , which saw the stories of classical mythology as allegories for astrological phenomena. The recovery of Neoplatonic material as well as the other works of antiquity resulted as part of a program sponsored largely by the Medicis, the famous banking family that ruled Florence. The Medici had gained increasing power when the weakness of the Holy Roman Emperors in the fourteenth   and fifteenth  centuries made it possible in  Italy for small city-states to achieve full independence. The northern region came to be divided between a number of competing cities, of which Venice, Milan and Florence were the most powerful. In Florence, the foundation of the Medici family’s fortunes were laid by Giovanni di Bicci, who founded the Medici bank in 1422 and was appointed banker to the papacy.

  The Medicis’ patronage of the arts represented a direct assault on  Christianity ,    aiming to supplant        it with the influence of the occult, or more accurately, the  Kabbalah . Growing persecution in other parts of Europe had  led many Kabbalists to find their way       to  Italy, which during the  Renaissance became one of the most intense areas of  Kabbalistic study, second only to Palestine. According to Gershom  Scholem, “the activities of these migrants strengthened the  Kabbalah, which acquired many adherents in  Italy in the fourteenth and fifteenth centuries.” 2 Laying the basis for the rediscovery of the  occult tradition of classical philosophy was, as Moshe Idel, one of the foremost  scholars of the subject, has pointed out that “ Kabbalah was conceived by both  Jewish and Christian  Renaissance figures  as        an ancient theology,         similar to and, according to the  Jews, the source of such later philosophical developments as Platonism, Aristotelianism, Pythagoreanism, and atomism.”3

  As had been the case for centuries among Jewish mystics, their interest in Platonism presupposed  Plato to have originally gained his insights from the early Kabbalists. The key representative of the Italian Kabbalists of the Renaissance was Leone Ebreo who, following medieval Jewish sources, saw Plato as dependent on the revelation of Moses and even as a disciple of the ancient  Kabbalists.4

  While Rabbi Yehudah Messer Leon, a committed Aristotelian, criticized the  Kabbalah ’s similarity to Platonism, his son described  Plato as a divine master. Other Kabbalists such as Isaac Abravanel and Rabbi Yohanan  Alemanno believed  Plato to have been a disciple of Jeremiah in Egypt .5 On the  similarity of the teachings of the Greek philosophers and the  Kabbalah, Rabbi  Abraham Yagel commented:

  This is obvious to anyone who has read what is written on the philosophy and principles of Democritus, and especially on  Plato, the master of  Aristotle, whose views are almost those of the Sages of   Israel, and who on some issues almost seems to speak from the very mouth of the Kabbalists and in their language, without any blemish on his lips. And why shall we not hold these views, since they are ours, inherited from our ancestors by the Greeks, and down to this day great sages hold the views of  Plato and great groups of students follow him, as is well known to anyone who has served the sage of the Academy and entered their studies, which are found in every land.6

  In 1439, Cosimo de Medici began sending his agents all over the world in quest     of ancient manuscripts,            and in 1444 founded Europe’s  first public library, the Library of San Marco, and through his commission the corpus of Platonic,  Neoplatonic, Pythagorean,  Gnostic and Hermetic thought was translated and became readily accessible. About 1460, a manuscript that contained a copy of the Corpus Hermeticum was brought by a monk to Florence from Macedonia. So prized      was     this find that, though the manuscripts of  Plato were awaiting translation, Cosimo ordered that they be put aside and to proceed with their translation instead. These texts were translated by Italian philosopher Marisilio Ficino.  Ficino’s mission was to revive the ancient pagan mystery teachings of the “ Chaldeans, Egyptians and Platonists,” characterized as representing the Prisca Theologia, or  Ancient Wisdom.

  The intellectual movement sponsored by the Medici came to be known as  Humanism, which was based on the esoteric veneration of man as equal to God, which was the basis of the  anthropomorphic doctrine of the occult. An important representative of  Renaissance  Humanism was Pico  della Mirandola  who succeeded to the leadership of  Ficino’s Academy. According to Mirandola,  Pythagoras had acquired knowledge of sacred mysteries from the  Jews in  Egypt , and having also recognized the parallels between  Hermeticism and the Kabbalah ,         Mirandola            attempted    to        combine        the      two disciplines,       being  the first to interpret the  Kabbalah in Christian terms, and fusing it with  Hermeticism.

  In Mirandola’s Oration on the Dignity of Man, which is taken as a characteristic  example of  Renaissance  humanism, he emphasizes the centrality of man in  the universe and his supreme value and importance, and begins by quoting  Hermes Trismegistus, “what a great miracle is man.” In 1486, when Pico went  to Rome to defend his Hermetically oriented ideas, his theses were branded  as heretical. The ensuing public outcry necessitated an Apolog y, which was  published in 1487, together with most of the Oration. Pico was finally rescued from his troubles with the death of the presiding pope and the intervention of Lorenzo de Medici.

  Cosimo’s grandson,   Lorenzo de Medici, also known as “ Lorenzo the  Magnificent” ( Lorenzo il Mag nifi co) by contemporary Florentines, was responsible for an enormous amount of arts patronage, encouraging the commission of  works from Florence’s leading artists. Including Leonardo  da Vinci,  Botticelli, and  Michelangelo, their works often featured pagan themes that challenged the  tolerance of the Church. Noted historian, Jean Seznec, in The Survival of the Pagan  Gods: The Mythological Tradition and its Place in  Renaissance  Humanism and Art, has  pointed out that these artists often looked to the  Picatrix, a work purportedly  produced by the  Sabians , and much     influenced by the   Epistlesof the  Brethren of Sincerity . 7 The  Picatrix focused particularly on what it called “talismans.”  As explained in the  Picatrix, through the proper design and construction of a  talisman and through proper performance of the rituals associated with it, the  magician could control the astrological energy emanating from the planets.  In the form of angelic entities or spirits, he could, for instance, command the  powers of Mars in matters of war, or of  Venus in matters of love. Thus, explains  Seznec, the Hermetic magician learned “to draw these celestial spirits down to earth and to induce them to enter into a material object, the talisman.” 8

  Therefore, for example,  Botticelli’s three works, the Minerva and the Centaur, the Birth of  Ven u sand the Primavera,being some of the most recognized Renaissance paintings, all dealt with occult themes and represent the magical  practice   of       drawing  down planetary influences   into  images. Likewise, Michelangelo too was influenced by the anthropomorphism        of the Kabbalah ,  painting “God” creating Adam in the Sistine Chapel, which is actually  a depiction of the “ Ancient of Days.” He is described in the Book of Daniel as, “I beheld till the trones were cast down, and the  Ancient of Days did sit,  whose garment was white as snow, and the hair of his head like the pure wool:  his  throne  was  like the  fiery  flame, and his  wheels  as burning        fire.” In  the Kabbalah, there is mention of the Ancient of Ancients and the Holy Ancient One interpreted as synonymous with the En Sof, the unmanifested Godhead. There are several references to this particular name of God in the  Zohar, which goes into great detail describing the White Head of God and ultimately the  emanation of its personality or attributes.

  In 1480 Leonard  da Vinci was living with the Medici and working in the  Garden of the Piazza San Marco in Florence, a Neoplatonic academy of artists,  poets and philosophers that the Medici had established. 10 In the late 1490s, he was commissioned to paint The Last Supperfor the monastery of Santa Maria  delle Grazie. In the painting,  da Vinci portrays the twelve apostles in four groups of three, corresponding to the signs of the zodiac, organized into four seasons. In the center is  Jesus as the sun.

  The  Medici also had an important influence on Niccolo Machiavelli  (1469 -1527), an Italian diplomat and philosopher based           in Florence during  the  Renaissance. As shown by his letter of dedication,   Machiavelli’s The Prince eventually came to be dedicated to  Lorenzo di Piero de’ Medici, grandson of “ Lorenzo the Magnifcent.” As author  of  The Prince,  Machiavelli was the father of the cynicism of “realpolitik.” He openly rejected the medieval and Aristotelian style of analyzing politics by comparison with ideas about how things should be, in favor of “realistic” analysis of how things “really are.” In other words, he denied the perfectibility of the individual and society, suggesting instead that the corruption of society was the natural order. To  Machiavelli, man is selfish and brutal and must be constrained through an authoritarian leader who is not afraid to use force and deceit to ensure the perpetuation of his rule and the “good” of the community. There are no higher moral truths. The desired ends, whichever they may be, as  Machiavelli famously noted, justify the means.

  While the Medici struggled for decades from the growing opposition to their paganizing program, they finally exacted their revenge by installing one of their own in the  Vatican, the son of  Lorenzo de Medici, who became Pope Leo X in 1513 AD. But  Leo X, who had been educated by  Ficino and Pico  della Mirandola,           exhibited a profligacy that was  characteristically un-Christian.      As he was described by Crises in the History of the Papacy:

  Leo   gathered about him a company  of gross men: flatterers, purveyors of indecent jokes and stories, and writers of obscene comedies which were often performed in the  Vatican with cardinals as actors. His chief friend was Cardinal Bimmiena, whose comedies were more obscene than any of ancient Athens or Rome and who was one of the most immoral men of his time. Leo had to eat temperately for he was morbidly fat, but his banquets were as costly as they were vulgar and the coarsest jesters and loosest courtesans sat with him and the cardinals. Since these things are not disputed, the Church does not deny the evidence of his vices.  In public affairs he was the most notoriously dishonourable Vicar of Christ of the  Renaissance period, but it is not possible here to tell the extraordinary story of his alliances, wars and cynical treacheries. His nepotism was as corrupt as that of any pope, and when some of the cardinals conspired to kill him he had           the flesh of their servants ripped off with red-hot pincers to extract information. 11


  Leo   X’s propensity for extravagant expenditure finally depleted the Vatican’s finances and     he turned to selling indulgences to raise funds. An indulgence is the full or partial remission of temporal punishment due for sins which have already been forgiven, and which  Leo X exchanged for those who donated alms to rebuild St. Peter’s Basilica in Rome. It was mainly due to these excesses, which  he saw as sale of salvation that led Martin   Luther to post his Ninety-Nine Theses  in 1517, which set off the  Protestant  Reformation. Finally, in 1521  Luther was accused of heresy, but to his advantage, many German princes were sympathetic to his cause, and during his lifetime the movement spread through about half of Germany and also spawned numerous sects, the most prominent of which was led by Calvin.

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